Placeholder: Nothingness and distressing anguish old wooden figure wasteland night Max Ernst Hieronymus Bosch Nothingness and distressing anguish old wooden figure wasteland night Max Ernst Hieronymus Bosch

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@Mabaaigen

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Nothingness and distressing anguish old wooden figure wasteland night Max Ernst Hieronymus Bosch

Poorly drawn, pixelated, compressed, low resolution, normal quality, low quality, bad anatomy, bad proportions, cloned face, duplicate, extra arms, extra limbs, extra legs, fused fingers, gross proportions, long neck, malformed limbs, extra legs, fused fingers, watermark, signature, username, jpeg artifacts, jpg artifacts.

10 months ago

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Model

SSD-1B

Guidance Scale

19

Dimensions

1024 × 1024

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Nothingness and distressing anguish old wooden figure wasteland night Max Ernst Hieronymus Bosch
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
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High definition photography of a marvelous landscape, trees, flowers, giant sun, people wearing masks, eerie, rock formations, atmosphere of a Max Ernst painting, Henri Rousseau, thoughtful, interesting, a bit appalling, smooth
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Pvitography, professional, alienating nothingness and distressing anguish Max Ernst
High definition photography of a marvelous landscape, trees, flowers, giant sun, people wearing masks, intricate, rock formations, atmosphere of a Max Ernst painting, Henri Rousseau, thoughtful, interesting, a bit appalling, smooth
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
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