Placeholder: Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy

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Prompt

Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy

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9 months ago

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SDXL

Guidance Scale

17

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1024 × 1024

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Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
High definition photography of a marvelous landscape, trees, flowers, giant sun, people wearing masks, eerie, rock formations, Max Ernst surreal characters, Yves Tanguy odd objects, Henri Rousseau, thoughtful, interesting, a bit appalling, smooth
Room with unidentifiable objects and disgusting insects flying in the air and some very odd telescope-like beings laughing René Magritte Max Ernst style
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Alienating nothingness and distressing anguish Max Ernst
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Yves Tanguy objects in an Yves Tanguy metaphysical space
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Horrible brutalist flats in the outskirts of an ethereal city, Max Ernst, strong texture, bas-relief
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