![Placeholder: For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled](https://img.stablecog.com/insecure/64w/aHR0cHM6Ly9iLnN0YWJsZWNvZy5jb20vMjNmYjhlYmQtZmI3ZS00ZWE2LWJmZWEtMWE1NmMxMzZmNjNkLmpwZWc.webp)
![For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled](https://img.stablecog.com/insecure/1920w/aHR0cHM6Ly9iLnN0YWJsZWNvZy5jb20vMjNmYjhlYmQtZmI3ZS00ZWE2LWJmZWEtMWE1NmMxMzZmNjNkLmpwZWc.webp)
@Mabaaigen
Prompt
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Light
2 years ago
Model
Kandinsky 2.2
Guidance Scale
12
Dimensions
4096 × 4096