Placeholder: For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled

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@Mabaaigen

Prompt

For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled

Light

1 year ago

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Model

Kandinsky 2.2

Guidance Scale

12

Dimensions

4096 × 4096

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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part minerals, creepy and nightmare
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part bejewelled, creepy
A surreal landscape with odd houses in Max Ernst style
An incredibly peaceful detailed landscape, Max Ernst, Haji Widayat, Audubon, Amano, Ernst Haekel, primordial nature, sun, strong texture, extreme detail, intricate, strong colours, bas-relief, high resolution, volumetric light, 8k, 3d, cinematic, rich moody colors, sparkles, decal, octane render, 55mm photography, 8k, sharp focus, volumetric light, ZBrush
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Creepy landscape, stars, planets, trees, rocks, nothingness and distressing anguish, peaceful, very detailed, Max Ernst style, Gustav Klimt style, 8k, 3d, intricate, ornate, odd
High definition photography of a marvelous landscape, trees, flowers, giant sun, people wearing masks, eerie, rock formations, Max Ernst surreal characters, Yves Tanguy odd objects, Henri Rousseau, thoughtful, interesting, a bit appalling, smooth
Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part minerals, creepy and nightmare
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Strange objects of various shapes, scattered over a place, clouds, Max Ernst, Audubon, Amano, Walton Ford, Yves Tanguy
Very detailed view of a city in Max Ernst style (decal, pointillism, bas-relief)
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