Placeholder: For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part minerals, creepy and nightmare For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part minerals, creepy and nightmare

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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part minerals, creepy and nightmare

Light

1 year ago

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Model

Kandinsky 2.2

Guidance Scale

12

Dimensions

4096 × 4096

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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations, plants, a primordial-like part vegetation, part rock and part minerals, creepy and nightmare
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