Placeholder: [H. R. Giger] Damien Hirst’s Exquisite Pain [H. R. Giger] Damien Hirst’s Exquisite Pain

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[H. R. Giger] Damien Hirst’s Exquisite Pain

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2 years ago

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SDXL

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[H. R. Giger] Damien Hirst’s Exquisite Pain
Detailed (drawing by artist Otto Rapp 1.5) at the Cryptid Taxidermy Museum in post apocalyptic Wonderland, in heaven everything is fine by lady in the radiator and brothers quay, drawing by H.R. Giger, by Giuseppe Arcimboldo, Hieronymus Bosch, Alphonse Mucha, intricately detailed, hyperrealism, fantasy, Bogomils Universe
[Dahlia Death] "i feel pain, i feel it, i feel that i am in Hell" You say: "You have to be honest, i will not help you if you lie to me" The man says: "You have to be honest, i will not help you if you lie to me" The man says: "When i felt the truck losing control, i saw a shadow, and a black cloud above me, they were very strange, and they were moving really fast. "When i felt the truck losing control, i saw a shadow, and a black cloud above me, they were very strange,
Damien Hirst’s Exquisite Pain
[H. R. Giger] Damien Hirst’s Exquisite Pain
Defiler, tempter, unclean spirit - These titles ring hollow, sound robotic and terse. They fail to capture your complex essence, Your brilliance dimmed by humanity's curse. Somewhere deep beneath that fearsome facade, Behind the hellfire burning in your eyes, There yet remains some fragment, some glimmer Of the light you lost to time and bitter lies.
The pulsing beat of the drums throbbed through my body as I pushed my way deeper into the sea of sweaty bodies in the mosh pit. All around me, fans were whipped into a frenzy, headbanging violently to the guitar riffs that screamed of rebellion and darkness. As the lead singer howled about summoning the forces of hell, I could feel the energy of the crowd transforming into something more primal and dangerous. Above it all, the giant screens flashed nightmarish images that blurred the lines betwe
[high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin
[H. R. Giger] Damien Hirst’s Exquisite Pain
Defiler, tempter, unclean spirit - These titles ring hollow, sound robotic and terse. They fail to capture your complex essence, Your brilliance dimmed by humanity's curse. Somewhere deep beneath that fearsome facade, Behind the hellfire burning in your eyes, There yet remains some fragment, some glimmer Of the light you lost to time and bitter lies.
The pulsing beat of the drums throbbed through my body as I pushed my way deeper into the sea of sweaty bodies in the mosh pit. All around me, fans were whipped into a frenzy, headbanging violently to the guitar riffs that screamed of rebellion and darkness. As the lead singer howled about summoning the forces of hell, I could feel the energy of the crowd transforming into something more primal and dangerous. Above it all, the giant screens flashed nightmarish images that blurred the lines betwe
[high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin

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