Placeholder: [high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin [high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin

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@generalpha

Prompt

[high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin

distorted image, malformed body, malformed fingers

6 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin
The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grinding on stone.
[art by Dorohedoro] Necromancy is the summoning of and speech with the dead, as is shown by its etymology; for it is derived from the Greek word Nekros, meaning a corpse, and Manteia, meaning divination. And they accomplish this by working some spell over the blood of a man or some animal, knowing that the devil delights in such sin, and loves blood and the pouring out of blood. Wherefore, when they think that they call the dead from hell to answer their questions, it is the devils in the likene
[art by Philippe Druillet] Skeletor's EDC Dark Hunter's Kit
[high res photo by Ray Harryhausen] The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grin
Skeletor by Philippe Druillet
[Jason and the Argonauts (1963)] Skeletal army, Skeletal mage, Skeletal archer, Skeletal swordsman
Dr. Doom by Tradd Moore
The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grinding on stone.
The thing moves again, emerging fully from the shadows. It is a wight—a walking corpse of immense size, its body wrapped in the tattered remains of priestly robes, gray with age and decay. The cloth flutters as it moves, revealing glimpses of bone beneath. Its head is a featureless skull with glowing blue light where the eyes should be, casting a faint azure radiance over the snow. As it drags itself forward, its joints grind audibly, the sound like stone grinding on stone.
feature two central characters: a skeletal, death-like figure wearing a dark, hooded cloak, armed with swords, and adorned with intricate mechanical designs, and a pale, ghostly woman with flowing hair, wearing a tattered garment, who appears frightened or desperate. Ensure both characters are prominent and interact within the composition, capturing the contrast between the menacing, skeletal figure and the ethereal, ghostly woman.
[Jason and the Argonauts (1963)] The Slime creatures—often referred to simply as "Slimes"—are a unique species of monsters that have developed a deep and almost obsessive fascination with human culture. Unlike many other monstrous beings, the Slimes are not driven by hunger for power, but rather by an intense admiration for the customs, manners, and traditions of humanity. Over centuries, they have adopted and integrated elegant human habits into their own way of life, becoming known for their
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