Placeholder: Ruined Romanesque church. A Detailed Technical Drawing. Ruined Romanesque church. A Detailed Technical Drawing.

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@generalpha

Prompt

Ruined Romanesque church. A Detailed Technical Drawing.

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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The ornate gateway marks the boundary of a significant noble holding, though the weathered stonework and modest maintenance suggest a family of respectable but not exceptional wealth. The three-person security detail demonstrates the privatised nature of law enforcement beyond the capital's immediate environs – landed families maintain their own armed personnel for property protection, dispute resolution, and deterrence against banditry. These guards wear standardised armour and carry modern wea
A detailed and whimsical 3d isometric illustration, created in a vintage charcoal style. This piece explores unique and fantastic architecture, with intricate details that invite the viewer to discover every corner. The figure at the entrance adds a touch of mystery and narrative to this imaginary scene. Ideal for lovers of fantasy art and traditional drawing.
(psychedelic 3D anaglyph red-cyan glasses required) The grand gateway serves as the entrance to a noble holding, indicating the family's wealth without extravagance. A security detachment of three guards demonstrates a decentralized law enforcement system outside the capital, with a focus on estate security through standardized armor and modern weaponry. Their orange accents may have symbolic or practical purpose. The gatehouse's transition from defensive structure to ceremonial function is evid
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[fractal art: Mandelbulb 3d] dungeon module B3: palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
[illustration by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.
[illustration in the la ligne claire style by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.
1. to understand what we are talking about, it is needed to understand that GenAi is a kind of interpolation (to make it simple, say that it is an interpolation in the space of scenery composition, and another one in the space of styles; what makes it rich is that they are not "independent"). 2. it means a database is needed : examples to train the model in supervised (indeed, self-supervised) mode. 3. it is true that because a lot of examples are needed, first generation of GenAi engines used a
[high res photo by Ray Harryhausen] The lair and throne room of the red demon, Darkness, from Legend. A vast, cavernous underground palace of gothic grandeur and primordial decay. The architecture is a fusion of jagged, natural rock formations and profane, melted black stone, forming arches, pillars, and a massive, organic throne. The space is littered with piles of gold, jewels, and shattered relics that glimmer faintly. The only illumination comes from a few sickly, phosphorescent fungi and th
dungeon module B3: palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
drawing by artist Otto Rapp: souvenirs of Minas Tirith
[illustration by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.
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