Placeholder: [illustration by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt. [illustration by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.

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[illustration by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.

distorted image, malformed body, malformed fingers

1 month ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[illustration in the la ligne claire style by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.
I envision a vast expanse, stretching as far as the eye can see, filled with countless doors. These doors, they're not your ordinary portals. No, they defy the laws of physics and logic. They pulse with an ethereal energy, beckoning the curious and the brave to step through. Each door leads to a different dimension, a different reality, waiting to be explored. As I paint this picture with words, I can see my protagonist standing before this incredible sight. They are a seeker, yearning for answe
A detailed and whimsical illustration, created in a vintage charcoal style. This piece explores unique and fantastic architecture, with intricate details that invite the viewer to discover every corner. The figure at the entrance adds a touch of mystery and narrative to this imaginary scene. Ideal for lovers of fantasy art and traditional drawing.
A detailed and whimsical 3d isometric illustration, created in a vintage charcoal style. This piece explores unique and fantastic architecture, with intricate details that invite the viewer to discover every corner. The figure at the entrance adds a touch of mystery and narrative to this imaginary scene. Ideal for lovers of fantasy art and traditional drawing.
[illustration by Grzegorz Rosiński] Ahead, an archway of fused bone and skulls frames an ancient iron door etched with strange, angular sigils. The air smells of old blood and something… burnt.
In the realm of falsehoods: what shall you do, oh mischievous ones, when the fabrications come knocking at your door? When they emerge from the shadows, how will you respond? A 3D abstract masterpiece in the form of a jail artistry.
I envision a vast expanse, stretching as far as the eye can see, filled with countless doors. These doors, they're not your ordinary portals. No, they defy the laws of physics and logic. They pulse with an ethereal energy, beckoning the curious and the brave to step through. Each door leads to a different dimension, a different reality, waiting to be explored. As I paint this picture with words, I can see my protagonist standing before this incredible sight. They are a seeker, yearning for answe
[swords style] Everything Everywhere All at Once: The fact that there was just a blade in the middle no handles no nothing imagine being in combat in 1587 and then you get handed a sword Only to realize It’s just a blade.
[illustration by Kevin Eastman and Peter Laird] Eliza nods grimly, moving to the door with the key ready. "Be prepared for anything when we open this," she warns, her fingers steady on the ancient iron. The tentacled horrors surge forward, their claws scraping against the stone walls. Markus grunts with effort, his muscles straining against the sealed door. "It's moving!" he shouts, the wood beginning to splinter. A wet, slithering sound fills the stairwell as more creatures emerge from the dar
In the realm of falsehoods: what shall you do, oh mischievous ones, when the fabrications come knocking at your door? When they emerge from the shadows, how will you respond? A 3D abstract masterpiece in the form of a jail artistry.
Original illustration by Stephen Fabian from The Scallion Stone by Canon Basil A. Smith
There it hung—silent, suspended in that pressurized vault of glass and carbon, coiled like a secret. They called it the Choral Maw, though none had heard it sing. A perfect circle of biological symmetry, surrounded by layers of pale petal-like flesh and polished ceramic scales, its inner folds revealed a haunting precision, as if carved for a purpose long forgotten. Some claimed it was an organ from a god-machine, others whispered of an ancient race that used resonance as language and faith.
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