Placeholder: [Philippe Caza] God/Deicide [Philippe Caza] God/Deicide

@generalpha

Prompt

[Philippe Caza] God/Deicide

doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

3328 × 4992

Similar

[spaceship, art of Virgil Finlay] The Stellaris nears the blue planet,Its red forests beckon with allure.The starship descends, flames ablaze,Through the celestial descent it endures.Stepping onto the crimson soil,The crew is awestruck by the vista.Towering trees, aglow with inner light,Creatures dart amidst the surreal landscape.
Drawn by Bernie Wrightson, colored by Scott Hampton: A hard day in earth's orbit. But everything ended well. The evening was a success. Armageddon.
Philippe Caza, 1987 Le congres de futurologie
Philippe Caza, 1987 Le congres de futurologie
[spaceship, art of Wally Wood] The Stellaris nears the blue planet,Its red forests beckon with allure.The starship descends, flames ablaze,Through the celestial descent it endures.Stepping onto the crimson soil,The crew is awestruck by the vista.Towering trees, aglow with inner light,Creatures dart amidst the surreal landscape.
[1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] "A map is not just a guide, it's a promise to forge a path forward." - the journey is more important than the destination - The Map and the Territory
[spaceship, art of Wally Wood] The Stellaris nears the blue planet,Its red forests beckon with allure.The starship descends, flames ablaze,Through the celestial descent it endures.Stepping onto the crimson soil,The crew is awestruck by the vista.Towering trees, aglow with inner light,Creatures dart amidst the surreal landscape.
Hydrogenesis, 1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza
Happy new year 2024: Philippe Caza’s cover art for: Happy new year 2024
[ Hydrogenesis, 1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] in the world of Darkness Has Many Doorways, where Hell is paved with good intentions, there exists a realm shrouded in mystery and fear. It is a place where the line between reality and fantasy blurs, where nightmares take form and darkness reigns supreme. a fortress of black stone and shadowy secrets: within its walls, the most powerful sorcerers and warlocks gather, their intentions as murky as the depths of the abyss.
[ Hydrogenesis, 1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] in the world of Darkness Has Many Doorways, where Hell is paved with good intentions, there exists a realm shrouded in mystery and fear. It is a place where the line between reality and fantasy blurs, where nightmares take form and darkness reigns supreme. a fortress of black stone and shadowy secrets: within its walls, the most powerful sorcerers and warlocks gather, their intentions as murky as the depths of the abyss.
illustration by Moebius for: Hazbin Hotel

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