Placeholder: Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat." Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat."

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Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat."

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Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat."
(art by Philippe Druillet's Délirius, 1973, written by Jacques Lob) Sloan in the celestial city: Hold me back or I'll make a mess
[ Hydrogenesis, 1979 in Heavy Metal Magazine Vol. 2, #10 by Philippe Caza] in the world of Darkness Has Many Doorways, where Hell is paved with good intentions, there exists a realm shrouded in mystery and fear. It is a place where the line between reality and fantasy blurs, where nightmares take form and darkness reigns supreme. a fortress of black stone and shadowy secrets: within its walls, the most powerful sorcerers and warlocks gather, their intentions as murky as the depths of the abyss.
(art by Philippe Druillet's Délirius, 1973, written by Jacques Lob) Sloan in the celestial city: Hold me back or I'll make a mess
the Priest of the Red Redemption: Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: laying surreal ethereal football mondial
Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat."
the Priest of the Red Redemption: Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat.
[art by Moebius: cover of dungeon and dragons module B3] palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
Philippe Druillet's Délirius (1973, written by Jacques Lob) Lone Sloane: (Staring at the holographic map, his voice dropping to a dangerous whisper) "You think you can play me like a pawn on a board. I will break that vault wide open. I will steal their gold. But mark my words, holy man... when this heist is done, I am coming back for your throat."
Philippe Caza, 1987 Le congres de futurologie
Drawn by Bernie Wrightson, colored by Scott Hampton: A hard day in earth's orbit. But everything ended well. The evening was a success. Armageddon.
In the depths of the writer's mind, Moebius (Jean Giraud) brings to life the battle between God and the Devil. God, portrayed with wisdom and serenity, faces off against the mischievous Devil, crafted with cunning precision. Their clash unfolds on the cosmic canvas of Moebius's iconic artwork. The writer draws inspiration from this surreal spectacle, defying becoming a hack amidst deadlines and pressure. Through Moebius's masterful strokes, the eternal struggle between good and evil is vividly c
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