Placeholder: [with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta [with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta

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Prompt

[with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta

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2 years ago

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Luna Diffusion

Guidance Scale

7

Dimensions

608 × 912

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[with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta
[medieval, a man] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
[color photo by Helmut Newton] In the eerie glow of the VHS recording, a chilling scene unfolded with scary giant mascot puppets and undead slime teddy bear mascots. A sexy 23-year-old nun, dressed in a black nun costume with 70s blonde hair, stood amidst bolts of electric arcs and glitter in the air with lightning crackling around her. The surreal mix of horror and beauty captured on film created a haunting tapestry of fear and fascination, blurring the line between reality and nightmare.
[art by Norman Rockwell] With newfound determination burning in his eyes, Roupinho stepped back, his gaze lingering on the statue of the Black Madonna. Leaving the grotto, Roupinho emerged into the world, his heart aflame with the divine spark that had been ignited within him. And so, the knight set forth on his sacred quest, his destiny intertwined with the miraculous presence of the Black Madonna of Nazaré. The echoes of his pledge reverberated through the hallowed halls of his soul, ignitin
[with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta
[art by Norman Rockwell] With newfound determination burning in his eyes, Roupinho stepped back, his gaze lingering on the statue of the Black Madonna. Leaving the grotto, Roupinho emerged into the world, his heart aflame with the divine spark that had been ignited within him. And so, the knight set forth on his sacred quest, his destiny intertwined with the miraculous presence of the Black Madonna of Nazaré. The echoes of his pledge reverberated through the hallowed halls of his soul, ignitin
[art by Norman Rockwell] With newfound determination burning in his eyes, Roupinho stepped back, his gaze lingering on the statue of the Black Madonna. Leaving the grotto, Roupinho emerged into the world, his heart aflame with the divine spark that had been ignited within him. And so, the knight set forth on his sacred quest, his destiny intertwined with the miraculous presence of the Black Madonna of Nazaré. The echoes of his pledge reverberated through the hallowed halls of his soul, ignitin
[art by Norman Rockwell] With newfound determination burning in his eyes, Roupinho stepped back, his gaze lingering on the statue of the Black Madonna. Leaving the grotto, Roupinho emerged into the world, his heart aflame with the divine spark that had been ignited within him. And so, the knight set forth on his sacred quest, his destiny intertwined with the miraculous presence of the Black Madonna of Nazaré. The echoes of his pledge reverberated through the hallowed halls of his soul, ignitin
[art by Zdzisław Beksiński] She stands tall, her presence commanding respect. A young Bene Gesserit, a woman of poise and grace, adorned in the traditional black robes of her order. Her eyes, piercing and calculating, seem to hold a depth of knowledge beyond her years. The bridge of the spaceship is her realm, her domain.
Original illustration by Stephen Fabian from The Scallion Stone by Canon Basil A. Smith
two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative,
[medieval, a woman] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.

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