Placeholder: [with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta [with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta

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[with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta

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Luna Diffusion

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[with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta
[with Madonnal] The setting is atop the Cliffs of Insanity, where Vizzini is attempting to elude the man in black, who is in pursuit to rescue Princess Buttercup from the clutches of Vizzini and his henchmen. Vizzini, confident in his intellectual prowess, decides to use a game of wits to outsmart his pursuer. Vizzini places two goblets before them, each filled with a clear, colorless liquid. He explains that one of the goblets contains a deadly poison called iocane powder, which is odorless, ta
[Jesus Christ] Sur... a psychological thriller... cop Dali from Hitchcock... mix in a little World War II... sure... surreal events in an occupied town... man sees ancient soldier hiding in abandoned home... "Twillight Zone." Now... what do they look like? No! Did that before-- What? No, not that way! Damn deadlines. Setting me off completely. Too much pressure. Mixing up the scenes! Too much coffee. That's it. Damn freezed-dried stuff! What's that? No! You didn't want any jungle queens! Now wai
Archival color photograph of Orson Welles finding the Holy Grail in a middle eastern monestary
[medieval, a man] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
In a surreal twist, Maria Magdalena encounters an ancient soldier, a spectral figure who seeks shelter in an abandoned home. Their encounter in this twilight zone reveals the depth of her inner turmoil and the resilience of her spirit. But alas, the pressure of deadlines and the demands of the art world threaten to overwhelm Maria Magdalena. The constant need for something new and different drives her to the edge. She battles with the voices in her head, struggling to find her unique voice amids
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[art by Zdzisław Beksiński] She stands tall, her presence commanding respect. A young Bene Gesserit, a woman of poise and grace, adorned in the traditional black robes of her order. Her eyes, piercing and calculating, seem to hold a depth of knowledge beyond her years. The bridge of the spaceship is her realm, her domain.
[medieval, a woman] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
[medieval, a man] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
[Renaissance, a Sir] Who was I? Where was I?… The landscape was totally unknown to me, even my body was unfamiliar. What forces brought me here? I searched my mind for memories… There was something there, but it was too clouded… A name… I scanned the horizon. A distant structure rose out of the mists. As evening approached I came upon an enigmatic oasis with a fountain.
The twin suns sink low on the horizon as Afrey stands sentinel upon the dune, etched skins shifting in their dying light. She is the last guardian of Tatooine now, all other Defenders fallen these past moons. But her people remain, and while even one dwells in this town she will stand.Long she has kept her lonely vigil here, choosing a vantage apart where she may see and be unseen. Her keen eyes note every shadow, searching for any threat borne on the fading breeze. One hand rests lightly upon t

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