Placeholder: L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris

@generalpha

Prompt

L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris
L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris
After the fall of the world, two humans stand on the side of their battered car, gazing out at a once-thriving city now reduced to rubble and dust. The remnants of civilization lay scattered before them, a haunting reminder of what once was. The silence is deafening, broken only by the distant howl of the wind as it whips through the desolate streets.
guardians of a bygone era. The scorching sun, its rays ablaze, unveils the desolate kingdom of this forsaken city - a realm consumed by shadows and desolation. Discarded vehicles lie strewn about, remnants of a time when vitality coursed through these stony arteries. Yet now, only echoes of darkness persist, a symphony of silence that proclaims an eternal night. The air hangs heavy with the scent of ash and smoke, while the ground sears beneath one's fingertips, as if the very earth were aflame.
L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris
L’impasse de Mohamed Bourouissa, 2007 ». Mohamed Bourouissa/Mennour, Paris
A Column Of German Forces In Paris By Einsteinwarr
guardians of a bygone era. The scorching sun, its rays ablaze, unveils the desolate kingdom of this forsaken city - a realm consumed by shadows and desolation. Discarded vehicles lie strewn about, remnants of a time when vitality coursed through these stony arteries. Yet now, only echoes of darkness persist, a symphony of silence that proclaims an eternal night. The air hangs heavy with the scent of ash and smoke, while the ground sears beneath one's fingertips, as if the very earth were aflame.
A plume of smoke rises in the sky of Gaza City during an Israeli airstrike, Oct. 9, 2023, as Israel’s military relentlessly pounded the Palestinian territory overnight and into the day as fighting with Hamas continued. [Mahmud Hams/AFP]
A plume of smoke rises in the sky of Gaza City during an Israeli airstrike, Oct. 9, 2023, as Israel’s military relentlessly pounded the Palestinian territory overnight and into the day as fighting with Hamas continued. [Mahmud Hams/AFP]
[high res picture fromBlade Runner (1982)] ...in this dust that was a city If I could find a souvenir Just to prove the world was here
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.

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