Placeholder: A Column Of German Forces In Paris By Einsteinwarr A Column Of German Forces In Paris By Einsteinwarr

@generalpha

Prompt

A Column Of German Forces In Paris By Einsteinwarr

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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The famous photo of Marina Ginestà, taken by Juan Guzmán on July 21, 1936, captures a striking moment during the early days of the Spanish Civil War. In the image, Ginestà stands confidently atop the Hotel Colón in Barcelona, a backdrop of the city visible behind her. She is dressed in a stylish military outfit, a symbol of her involvement in the anarchist movement. Her posture is assertive, with one hand resting on a wall and the other holding a rifle, embodying both strength and defiance.
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
[very impressive high res masterpiece in Kodak Eastman 5247, by Stanley Kubrick] Il montait un destrier qui avait belle allure, était vêtu d’un haubert argenté, et son heaume était couvert d’un mélange contrasté d’or et de pierreries ouvrés de main de maître selon son désir, au-dessus duquel était fixée, bien au centre, une roue qui se mettait à tourner lorsqu’il joutait. Une précieuse zibeline ornait tout son heaume brillant qui était parcouru, au-dessus de ses yeux, par une bande dorée d’une
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Wide cinematic view of Vienna in 1913, elegant imperial architecture and orderly boulevards under a pale, overcast sky, finely dressed figures walking with measured detachment, banners and official buildings suggesting bureaucracy and ceremony, atmosphere of intellectual tension and quiet stagnation, everything precise yet emotionally distant, muted colors, soft light, subtle haze, modernist realism, restrained, ironic tone, sense of a world perfectly organized and inwardly hollow,
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We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
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World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)

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