Placeholder: A Column Of German Forces In Paris By Einsteinwarr A Column Of German Forces In Paris By Einsteinwarr

@generalpha

Prompt

A Column Of German Forces In Paris By Einsteinwarr

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

2 years ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Wide cinematic view of Vienna in 1913, elegant imperial architecture and orderly boulevards under a pale, overcast sky, finely dressed figures walking with measured detachment, banners and official buildings suggesting bureaucracy and ceremony, atmosphere of intellectual tension and quiet stagnation, everything precise yet emotionally distant, muted colors, soft light, subtle haze, modernist realism, restrained, ironic tone, sense of a world perfectly organized and inwardly hollow,
The famous photo of Marina Ginestà, taken by Juan Guzmán on July 21, 1936, captures a striking moment during the early days of the Spanish Civil War. In the image, Ginestà stands confidently atop the Hotel Colón in Barcelona, a backdrop of the city visible behind her. She is dressed in a stylish military outfit, a symbol of her involvement in the anarchist movement. Her posture is assertive, with one hand resting on a wall and the other holding a rifle, embodying both strength and defiance.
Futuristic soldiers clad in red and white armor stand vigilantly before the iconic Eiffel Tower, a blend of history and fantasy under the Parisian sky. Their masked faces and heavy weaponry create a stark dichotomy with the tranquil backdrop of the city.
Wide cinematic view of Vienna in 1913, elegant imperial architecture and orderly boulevards under a pale, overcast sky, finely dressed figures walking with measured detachment, banners and official buildings suggesting bureaucracy and ceremony, atmosphere of intellectual tension and quiet stagnation, everything precise yet emotionally distant, muted colors, soft light, subtle haze, modernist realism, restrained, ironic tone, sense of a world perfectly organized and inwardly hollow,
World premiere: Teatro alla Scala, Milan, 1887 (Giuseppe Verdi)
[estampe] from inside the Eiffel tower / Maurice Denis
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] echoes through the air, a relentless drumbeat of death and desperation.
[estampe, by Maurice Denis] from inside the Eiffel tower
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
c'est Paris.... sous la pluie Six heures du matin, l’asphalte boit la tasse, ça passe, ça casse, ça glisse sur le macadam, Paname dans le flow, Paname dans l'eau, sous l'eau Rain, rain, rain. Drop. Storm. Rain. Cold. drop, drop, floc dix heures du matin, Les godasses prennent l’eau, Le crew de pepins Les godasses trempées Paname dans le flow, Paname dans l'eau, sous l'eau Rain, rain, rain. Drop. Storm. Rain. Cold. drop, drop, floc Midi, c'est pas mimi: un hiver qui s’étire, qui se tire
We were men of the Lincoln battalion we're proud of the fight that we made we know that you people of the valley will remember our Lincoln brigade.
we know that you people of the valley will remember our Lincoln brigade. From this valley they say we are going but don't hasten to bid us adieu

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