Placeholder: The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur

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The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur

distorted image, malformed body, malformed fingers, ugly, malformed members

1 month ago

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SSD-1B

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7

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The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey
In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey
[art by Wes Anderson] In Room F63, the young scientist Alice Barton, surrounded by alien flora and fauna, observed the rapid growth and evolution of the exotic specimens under the cyfflon lights. Her task involved measuring and recording the diverse occupants in meticulous detail on the psi-screen. As she pondered the possibility of future participants facing the same challenge, the enigmatic nature of the room's inhabitants hinted at a tapestry of mysteries waiting to be unraveled by curious mi
The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey
Mickey Spillane’s Mike Hammer in the shadows of his detective office, he is a silhouette, a bottle of whiskey and a glass on the desk, a cigare fumes in his hand extended to the glass. The silhouette could be a man or a woman
Subject & Action: A close-up, fisheye perspective, raw 35mm film photograph captures a user lying back against several soft, disheveled pillows in a messy bed. The viewer (implied POV) is holding a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese, lettuce, tomato) slightly tilted, poised for a bite. Environment & Setting: The background is dominated by a vintage, oversized television set on a low stand at the foot of the bed. The screen is the primary light sour
The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
Red Redemption multi-layered sourdough. Fisheye twilight, 1973. Philippe Druillet's disheveled pillows in a faded wool suit. Clutching a crumpled copy of Délirius to his chest while the other hand covers his eyes. Melting cheese: Lone Sloane infinite loop dance. Poised for a bite in a desolate baseball stadium. Raw 35mm film photograph: holding the pivotal image with trembling hands.
[art by Dave McKean] n the opulent chamber of the castle, the princess lay ensconced in the silken folds of her bed, the morning sun casting a golden glow upon her delicate features. Her ebony locks cascaded like a river of shadows across the pillows, framing her porcelain skin in a stark contrast of light and dark. As she lingered in the realm between sleep and wakefulness, the distant clamor by the window stirred her from her languid repose. With a languid grace, the princess rose from the bed
the Slavic god Czernobog (terrible evil hammer): illustration by Norman Rockwell and Helmut Newton for American Gods (2021), he sits in his iconic throne in the slavic realm
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