Placeholder: In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey

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In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey

distorted image, malformed body, malformed fingers, ugly, malformed members

1 month ago

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SSD-1B

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7

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In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey
The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
Soft Bread “American Sandwich” Harry’s [vintage style noisy scratches glitches, Shot the texture and then rewound the film and double exposed from a 1970 B series movie]
Archimedes, the renowned mathematician and inventor, sits on a weathered hydrodynamic water screw in wood, he is in front of a vast field marred by failing irrigation ditches. In his hands, he holds a smartphone, a device of unparalleled computational power that has bridged the gap between antiquity and the present day.
In the center of the frame, the Priest of the Red Redemption lies back against several soft, disheveled pillows in a desolate municipal baseball stadium during twilight. He holds a large, handmade, multi-layered sandwich (crusty sourdough, turkey, melting cheese) poised for a bite. An unlit cigarette dangles from his lips as he clutches a crumpled black-and-white photograph close to his chest—a psychedelic tape infinite loop dance playing in a raw 35mm fisheye perspective. One hand covers his ey
Red Redemption multi-layered sourdough. Fisheye twilight, 1973. Philippe Druillet's disheveled pillows in a faded wool suit. Clutching a crumpled copy of Délirius to his chest while the other hand covers his eyes. Melting cheese: Lone Sloane infinite loop dance. Poised for a bite in a desolate baseball stadium. Raw 35mm film photograph: holding the pivotal image with trembling hands.
[Animal Farm] As the sun rose over the fields of Animal Farm, casting a golden hue on the training grounds, Old Major, adorned in his costume for the Discus Throw event, stood with a sense of solemn determination. His aged eyes gleamed with a fire of leadership as he prepared to demonstrate his strength and wisdom in the upcoming Animal Farm Olympics. Nearby, Snowball, dressed for the High Jump competition, exuded an air of innovation and ambition. As the two pigs met on the practice field, the
[photo from from Evil dead] Ray Santiago as Pablo Simon Bolivar aka El Cheffe, serving hamburgers made of Deadites pieces in a fast food, the demonic food
The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
The lone, middle-aged man stands in a desolate messy bed. Implied POV: the Priest of the Red Redemption has an unlit cigarette dangling from a multi-layered sourdough sandwich. He isn't looking at the psychedelic tape infinite loop, but rather clutching lettuce, tomato, and Jacques Lob close to his trembling hands. Twilight in a raw 35mm photograph. He wears a faded wool suit that is slightly too large for Philippe Druillet, poised for a bite, one hand covering his eyes as Délirius (1973) captur
[photo from from Evil dead] In the eerie fast-food joint, dimly lit and smelling of decay, Pablo Simon Bolivar, also known as El Cheffe, served up his infamous hamburgers. But these weren't just any burgers. These were made of Deadite pieces, remnants of the demonic entities that once plagued the world.
Uncle Fester Addams in front of Some Breads and Other Things Arranged on a Brown Background
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