Placeholder: illustration by underground comix artist, Brion Gysin of: Access to Planetary Guard facilities is rarely granted to civilian surveyors, making this glimpse of the fortress armoury particularly valuable for the record. The maintenance bay shown here represents typical military-grade equipment storage and servicing — dense racks of weaponry and tactical gear lining curved walls, diagnostic stations, and the controlled environmental systems necessary for keeping sensitive equipment operational acro illustration by underground comix artist, Brion Gysin of: Access to Planetary Guard facilities is rarely granted to civilian surveyors, making this glimpse of the fortress armoury particularly valuable for the record. The maintenance bay shown here represents typical military-grade equipment storage and servicing — dense racks of weaponry and tactical gear lining curved walls, diagnostic stations, and the controlled environmental systems necessary for keeping sensitive equipment operational acro

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@generalpha

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illustration by underground comix artist, Brion Gysin of: Access to Planetary Guard facilities is rarely granted to civilian surveyors, making this glimpse of the fortress armoury particularly valuable for the record. The maintenance bay shown here represents typical military-grade equipment storage and servicing — dense racks of weaponry and tactical gear lining curved walls, diagnostic stations, and the controlled environmental systems necessary for keeping sensitive equipment operational acro

distorted image, malformed body, malformed fingers

18 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1248 × 832

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illustration by underground comix artist, Brion Gysin of: Access to Planetary Guard facilities is rarely granted to civilian surveyors, making this glimpse of the fortress armoury particularly valuable for the record. The maintenance bay shown here represents typical military-grade equipment storage and servicing — dense racks of weaponry and tactical gear lining curved walls, diagnostic stations, and the controlled environmental systems necessary for keeping sensitive equipment operational acro
1. to understand what we are talking about, it is needed to understand that GenAi is a kind of interpolation (to make it simple, say that it is an interpolation in the space of scenery composition, and another one in the space of styles; what makes it rich is that they are not "independent"). 2. it means a database is needed : examples to train the model in supervised (indeed, self-supervised) mode. 3. it is true that because a lot of examples are needed, first generation of GenAi engines used a
[a pen sketch with a lot of strokes in stippling] a man in a library surrounded by
[art by Jack Davis] the longest toilet paper in the world, in Charlie's chocolate factory
This drawing uses a one-point perspective, meaning that the objects' faces parallel the viewer and converge at a single vanishing point on the horizon line. Do it. It's simpler than you think - just pay attention to the 20-step guide and, if needed, watch the video below. Begin by lightly drawing a horizontal line in the middle of your paper. It will be the base of the tower and should be about six inches long if using a 12-inch sketchbook; Divide this line into thirds and lightly make small m
An original Chris Ware page from Acme Novelty Library #1, featuring “Jimmy Corrigan” in “Jimmy Gets Out of the House Part II” (Fantagraphics, 1993).
digital echoes and virtual realms, Juliette and Romeo's fateful connection transcends the boundaries of a high-tech electronic universe. Juliette, lost in sorrow, weeps in a holographic simulation as Romeo's lifeless avatar rests upon a glowing data tomb, their love immortalized in lines of code. [William S. Burroughs' "The Electronic Revolution"] The curse woven into their digital DNA dictates that Juliette, in her grief, will unknowingly trigger a fatal algorithm, linking her fate to Romeo i
drawing by artist Jack Kirby: souvenirs of the Moon
This drawing uses a one-point perspective, meaning that the objects' faces parallel the viewer and converge at a single vanishing point on the horizon line. Do it. It's simpler than you think - just pay attention to the 20-step guide and, if needed, watch the video below. Begin by lightly drawing a horizontal line in the middle of your paper. It will be the base of the tower and should be about six inches long if using a 12-inch sketchbook; Divide this line into thirds and lightly make small m
drawing by artist Jack Kirby: souvenirs of heaven
An original Chris Ware page from Acme Novelty Library #1, featuring “Jimmy Corrigan” in “Jimmy Gets Out of the House Part II” (Fantagraphics, 1993).
Découvrez les fonds audios et vidéos à consulter gratuitement, des articles qui éclairent l'actualité, les activités de l'INA, ses rendez-vous Ina THEQUE, L'Ina THEQUE est le service de consultation des archives audiovisuelles de l'Ina, et des fonds du dépôt légal de la radio télévision française. ready for "The Electronic Revolution" ?
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