Placeholder: This drawing uses a one-point perspective, meaning that the objects' faces parallel the viewer and converge at a single vanishing point on the horizon line. Do it. It's simpler than you think - just pay attention to the 20-step guide and, if needed, watch the video below. Begin by lightly drawing a horizontal line in the middle of your paper. It will be the base of the tower and should be about six inches long if using a 12-inch sketchbook; Divide this line into thirds and lightly make small m This drawing uses a one-point perspective, meaning that the objects' faces parallel the viewer and converge at a single vanishing point on the horizon line. Do it. It's simpler than you think - just pay attention to the 20-step guide and, if needed, watch the video below. Begin by lightly drawing a horizontal line in the middle of your paper. It will be the base of the tower and should be about six inches long if using a 12-inch sketchbook; Divide this line into thirds and lightly make small m

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@generalpha

Prompt

This drawing uses a one-point perspective, meaning that the objects' faces parallel the viewer and converge at a single vanishing point on the horizon line. Do it. It's simpler than you think - just pay attention to the 20-step guide and, if needed, watch the video below. Begin by lightly drawing a horizontal line in the middle of your paper. It will be the base of the tower and should be about six inches long if using a 12-inch sketchbook; Divide this line into thirds and lightly make small m

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

4096 × 4096

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This drawing uses a one-point perspective, meaning that the objects' faces parallel the viewer and converge at a single vanishing point on the horizon line. Do it. It's simpler than you think - just pay attention to the 20-step guide and, if needed, watch the video below. Begin by lightly drawing a horizontal line in the middle of your paper. It will be the base of the tower and should be about six inches long if using a 12-inch sketchbook; Divide this line into thirds and lightly make small m
streetlight effect
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An original Chris Ware page from Acme Novelty Library #1, featuring “Jimmy Corrigan” in “Jimmy Gets Out of the House Part II” (Fantagraphics, 1993).
Give them one of those captivating styles... Tolstoy, Dostoevsky, Solzhenitsyn... Yes... a psychological journey... channel Gogol with a touch of Orwell... blend in a little Cold War... sure... surreal events in a Soviet town... a man encounters a phantom trooper lurking in an abandoned factory... "Twilight Zone." Now... what do they look like? No! Not that! Did that before-- What? No, not that way! Damn deadlines. They're throwing me off completely. Too much pressure. Mixing up the scenes! Too
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ithin this realm of the local, we encounter the enchanting concept of continuity. It is through the lens of local continuity that we perceive the behavior of functions within a small vicinity. The modulus of continuity, like a maestro's baton, guides our exploration. It measures the rate at which a function can wiggle and wander within a confined neighborhood. It quantifies the subtle oscillations, the intricate twists and turns, that a function can take on this intimate scale. But let us not co
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Perception shattered, reality bends, As electronic hallucinations ascend. Cut-up language, a collage of the mind, In fragments and pieces, meaning we find. Society's chains, technology can forge, But resistance, rebellion, we must urge. Liberation or enslavement, the choice is ours, In this electronic revolution, where power devours. Oh, beatnik souls, let's question and explore, The depths of this digital encore. Burroughs beckons us to think anew, To challenge, to rebel, to break on through.
Introvency
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