Placeholder: Going for a shower any one want to come Going for a shower any one want to come

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Prompt

Going for a shower any one want to come

large hands

1 year ago

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Model

Luna Diffusion

Guidance Scale

7

Dimensions

608 × 912

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Going for a shower any one want to come
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Not my mess to clean’
In this extraordinary photograph, the wise and spirited Yoda takes center stage, portrayed with hyper-realistic precision. Despite being aged at 1.5 centuries, Yoda's aura exudes a youthful vitality as he wears a striking scifi Star Wars outfit. The natural surroundings come alive with a dynamic and lively atmosphere, as diffused lighting casts playful shadows, adding an enchanting touch to the scene. As an intrepid explorer-hacker, Yoda's adventurous spirit shines through, and every intricate d
Going for a shower any one want to come
My quickened sense can only plod. Imagination waves its rod, My spirit burns with lightning splendor, Emotive faith tastes the bread of God. As moves the wind on sightless wings, Nor shadow o'er the landscape flings, While seas to chafe of foam are beaten, And plectrum sweeps all the forest strings; So through the world doth Spirit move, And presence by His working prove,— A mystery of might and music, A lonelihood of eternal love.
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
vligradoc
[coffee] In the Inn, the smiling hobbit worked behind the bar. Though small in stature, none was more joyful in service. His eyes, bright as sunrise and always upturned in mirth, inspected beans from distant lands. From the machine poured drinks like liquid gold. Each shot drew from him a chuckling sniff, scents of exotic hills filling his head. With care he textured cream, lips still smiling as lofty peaks crowned. Patrons gathered round pots steaming, laughter echoing as in a hobbit-h
The sheets lay in disarray, twisted and rumpled from a night of restless slumber, a testament to the tumultuous dreams that had haunted the main character's sleep. Loose articles of clothing were strewn haphazardly across the bed, a chaotic tapestry of fabric and memories that spoke of a hurried undressing the night before.
Lee Miller, the intrepid war photographer, finds herself standing in Hitler's bathroom. The chilling history of the place weighs heavy on her as she gazes at the empty tub once occupied by the tyrant himself. The stark reality of the room, once a sanctuary for evil, now a haunting relic of the past, surrounds her. Lee's camera hangs at her side, a silent witness to the solemn moment. She steps closer to the bathtub, her reflection staring back at her from the polished surface. The echoes of war
Rows of makeshift structures, constructed from salvaged materials, were scattered throughout the cavern. These served as living quarters, workshops, and communal areas for the bunker's residents. Rustic furnishings, handcrafted from repurposed materials, added a sense of comfort and homeliness to the otherwise stark environment. In one corner, a small hydroponic garden thrived, its verdant greenery providing a stark contrast to the rocky surroundings. The carefully tended plants offered a sourc

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