Placeholder: Going for a shower any one want to come Going for a shower any one want to come

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Going for a shower any one want to come

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2 years ago

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SDXL

Guidance Scale

7

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832 × 1248

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Lee Miller, the intrepid war photographer, finds herself standing in Hitler's bathroom. The chilling history of the place weighs heavy on her as she gazes at the empty tub once occupied by the tyrant himself. The stark reality of the room, once a sanctuary for evil, now a haunting relic of the past, surrounds her. Lee's camera hangs at her side, a silent witness to the solemn moment. She steps closer to the bathtub, her reflection staring back at her from the polished surface. The echoes of war
Rows of makeshift structures, constructed from salvaged materials, were scattered throughout the cavern. These served as living quarters, workshops, and communal areas for the bunker's residents. Rustic furnishings, handcrafted from repurposed materials, added a sense of comfort and homeliness to the otherwise stark environment. In one corner, a small hydroponic garden thrived, its verdant greenery providing a stark contrast to the rocky surroundings. The carefully tended plants offered a sourc
[photo by Russ Meyer] in the Victorian age, the bedroom of a young woman of a aristocrat family. She lies with her aunt
Turning water into wine Open doors would soon be shut So I went from day to day Though my life was in a rut 'Til I thought of what I'd say Which connection I should cut
In the surreal realm of vintage photography, a haunting image emerges - Lee Miller, the intrepid war photographer, finds herself standing in Hitler's bathroom. The chilling history of the place weighs heavy on her as she gazes at the empty tub once occupied by the tyrant himself. The stark reality of the room, once a sanctuary for evil, now a haunting relic of the past, surrounds her.. The eerie atmosphere is intensified by overcast lighting and stained surroundings. The shallow depth of field a
[coffee] In the Inn, the smiling hobbit worked behind the bar. Though small in stature, none was more joyful in service. His eyes, bright as sunrise and always upturned in mirth, inspected beans from distant lands. From the machine poured drinks like liquid gold. Each shot drew from him a chuckling sniff, scents of exotic hills filling his head. With care he textured cream, lips still smiling as lofty peaks crowned. Patrons gathered round pots steaming, laughter echoing as in a hobbit-h
The White Nurse enters in the dimly lit bedroom, shadows danced ominously across the walls as the night grew darker. The room is filled with terror as the monstrous presence beneath your bed stirred and twisted, its eerie limbs creeping out into the moonlit room. Just as fear threatened to consume you, a soft, soothing voice cut through the darkness.
Introvency
Not my mess to clean’
[1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh
[colour helmut newton 1960’s stop-motion animation style the small Jesus house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
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