Placeholder: Going for a shower any one want to come Going for a shower any one want to come

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Going for a shower any one want to come

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1 year ago

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Model

SDXL

Guidance Scale

7

Dimensions

832 × 1248

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Lee Miller, the intrepid war photographer, finds herself standing in Hitler's bathroom. The chilling history of the place weighs heavy on her as she gazes at the empty tub once occupied by the tyrant himself. The stark reality of the room, once a sanctuary for evil, now a haunting relic of the past, surrounds her. Lee's camera hangs at her side, a silent witness to the solemn moment. She steps closer to the bathtub, her reflection staring back at her from the polished surface. The echoes of war
Rows of makeshift structures, constructed from salvaged materials, were scattered throughout the cavern. These served as living quarters, workshops, and communal areas for the bunker's residents. Rustic furnishings, handcrafted from repurposed materials, added a sense of comfort and homeliness to the otherwise stark environment. In one corner, a small hydroponic garden thrived, its verdant greenery providing a stark contrast to the rocky surroundings. The carefully tended plants offered a sourc
Turning water into wine Open doors would soon be shut So I went from day to day Though my life was in a rut 'Til I thought of what I'd say Which connection I should cut
Willow groggily opened her eyes, the soft, diffused light of a chilly New York City morning seeping through the curtains. The sound of distant sirens and the gentle hum of the city's never-ending activity welcomed her to another day. She stretched her arms above her head, pushing herself deeper into the tangle of sheets that enveloped her. The apartment, a cozy one-bedroom in the heart of the city, had become her sanctuary. She lay there for a moment, feeling the warmth of the sun slowly spread
In the surreal realm of vintage photography, a haunting image emerges - Lee Miller, the intrepid war photographer, finds herself standing in Hitler's bathroom. The chilling history of the place weighs heavy on her as she gazes at the empty tub once occupied by the tyrant himself. The stark reality of the room, once a sanctuary for evil, now a haunting relic of the past, surrounds her.. The eerie atmosphere is intensified by overcast lighting and stained surroundings. The shallow depth of field a
[coffee] In the Inn, the smiling hobbit worked behind the bar. Though small in stature, none was more joyful in service. His eyes, bright as sunrise and always upturned in mirth, inspected beans from distant lands. From the machine poured drinks like liquid gold. Each shot drew from him a chuckling sniff, scents of exotic hills filling his head. With care he textured cream, lips still smiling as lofty peaks crowned. Patrons gathered round pots steaming, laughter echoing as in a hobbit-h
Introvency
Lee Miller, the intrepid war photographer, finds herself standing in Hitler's bathroom. She lies in the bathtub camera hangs at her side, a silent witness to the solemn moment.
Not my mess to clean’
[photo by Russ Meyer] in the Victorian age, the bedroom of a young woman of a aristocrat family. She lies with her aunt
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
Not my mess to clean’
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