Placeholder: [photo from collection gilman and gonzalez-FALLA] [photo from collection gilman and gonzalez-FALLA]

@generalpha

Prompt

[photo from collection gilman and gonzalez-FALLA]

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

4 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[photo from collection gilman and gonzalez-FALLA]
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
A gunfighter, gambler, performer, and alleged prostitute, Kitty Leroy, was best known as one of the most proficient poker players in the Old West. Lillian Russell -one of the most famous actresses and singers of the late 19th-early 20th centuries. Known for her beauty & style and voice & stage presence, she was referred to as "The American Beauty" This is Pauline Markham. - (1847-1919)
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
[photo from collection gilman and gonzalez-FALLA]
[vintage] A woman in tuxedo around a pond
Maria Magdalena finds herself caught in a psychological thriller, where reality and illusion intertwine. She is pursued by shadows, both real and imagined, representing the demons of her past that refuse to let her go. Her journey takes her through dark alleys and haunted landscapes, where the line between dreams and reality blurs. As she navigates this treacherous path, Maria Magdalena discovers a connection to the horrors of war. The echoes of World War II resonate in her psyche, merging with
Possibly the most notorious female outlaw and gunslinger of the Wild West was Belle Starr. Born in 1848, Belle was a classically-educated young lady whose life turned upside down following a Union soldier attack in the early American Civil War. Soon after the attack, her family moved to Texas where Belle reunited with childhood friends none other than notorious Jesse James and the Younger brothers. Soon, she was proficient in various forms of organized crime. She mastered the arts of fencing
The mid-nineteenth-century stage thus became a space and time for exploring and criticizing social ideas of femininity. Both Buszek and theater historian Theresa Saxon describe a period of often daring, sometimes chaotic work by women onstage. In the 1840s, Charlotte Cushman famously appeared in drag, playing roles including the male lead in Romeo and Juliet. The actress Adah Isaacs Menken was equally willing to self-promote with topless cartes de visite and images of her in stage costume or in
the actor-playwright Laura Keene worked to make theater family friendly. Barnum did this by staging temperance drama, and Keene by bringing the leg show to the middle class. Providing a safe theater (and no bar), Keene staged her play The Seven Sisters like a Romantic ballet, writes Buszek. The 1860 production incorporated the “short-petticoated corps de ballet into [a] narrative about a daughter of the god Pluto who visits contemporary New York City and falls in love with a young playwright.”
Standing at the corner of the room, a wistful figure emerges from the shadows. Dressed in a vintage attire, their eyes reflect a mix of longing and fond memories. With a tender smile, they hold a love letter close to their heart, lost in the bittersweet reverie of past romance.
Standing at the corner of the room, a wistful figure emerges from the shadows. Dressed in a vintage attire, their eyes reflect a mix of longing and fond memories. With a tender smile, they hold a love letter close to their heart, lost in the bittersweet reverie of past romance.

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