Placeholder: the actor-playwright Laura Keene worked to make theater family friendly. Barnum did this by staging temperance drama, and Keene by bringing the leg show to the middle class. Providing a safe theater (and no bar), Keene staged her play The Seven Sisters like a Romantic ballet, writes Buszek. The 1860 production incorporated the “short-petticoated corps de ballet into [a] narrative about a daughter of the god Pluto who visits contemporary New York City and falls in love with a young playwright.” the actor-playwright Laura Keene worked to make theater family friendly. Barnum did this by staging temperance drama, and Keene by bringing the leg show to the middle class. Providing a safe theater (and no bar), Keene staged her play The Seven Sisters like a Romantic ballet, writes Buszek. The 1860 production incorporated the “short-petticoated corps de ballet into [a] narrative about a daughter of the god Pluto who visits contemporary New York City and falls in love with a young playwright.”

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the actor-playwright Laura Keene worked to make theater family friendly. Barnum did this by staging temperance drama, and Keene by bringing the leg show to the middle class. Providing a safe theater (and no bar), Keene staged her play The Seven Sisters like a Romantic ballet, writes Buszek. The 1860 production incorporated the “short-petticoated corps de ballet into [a] narrative about a daughter of the god Pluto who visits contemporary New York City and falls in love with a young playwright.”

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