Placeholder: "Noise cannot harm" is something said by someone who hasn't been around the roar of cannon or the scream of turbojets. I can most assuredly say, or at least make a wager with an extremely high chance of profit, that you have not spent any significant portion of your life in the Sharia (IE traditional and true) Muslim part of the world, else you wouldn't be foolish enough to make such noise on such a platform. "I'm surrounded by assholes" is a quote from the movie Spaceballs. It doesn't change "Noise cannot harm" is something said by someone who hasn't been around the roar of cannon or the scream of turbojets. I can most assuredly say, or at least make a wager with an extremely high chance of profit, that you have not spent any significant portion of your life in the Sharia (IE traditional and true) Muslim part of the world, else you wouldn't be foolish enough to make such noise on such a platform. "I'm surrounded by assholes" is a quote from the movie Spaceballs. It doesn't change

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@generalpha

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"Noise cannot harm" is something said by someone who hasn't been around the roar of cannon or the scream of turbojets. I can most assuredly say, or at least make a wager with an extremely high chance of profit, that you have not spent any significant portion of your life in the Sharia (IE traditional and true) Muslim part of the world, else you wouldn't be foolish enough to make such noise on such a platform. "I'm surrounded by assholes" is a quote from the movie Spaceballs. It doesn't change

distorted image, malformed body, malformed fingers

2 months ago

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SSD-1B

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Just Do It.
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Pharesm made a peremptory gesture. Cugel fell silent. Pharesm drew a deep breath. "You fail to understand the calamity you have visited upon me. I will explain, so that you may not be astounded by the rigors which await you. As I have adumbrated, the arrival of the creature was the culmination of my great effort. I determined its nature through a perusal of forty-two thousand librams, all written in crypt
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] the Black or Afro-American sheriff in the Wild West. A tale as rare and powerful as a shooting star in the night sky. Picture this: a lone figure, standing tall in the dusty streets of a frontier town, a badge gleaming on their chest, defying the odds and challenging the stereotypes of the time.
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] echoes through the air, a relentless drumbeat of death and desperation.
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] In the midst of the session war, the battlefield is a chaotic symphony of violence and destruction. Explosions rock the earth, sending plumes of smoke and debris into the air. The sound of gunfire echoes through the air, a relentless drumbeat of death and desperation.
[1960’s stop-motion animation style of tun imán famoso in Mexico] Yahya ibn Sharaf al-Nawawi (Arabic: يحيى بن شرف النووي, romanized: Yaḥyā ibn Sharaf al-Nawawī) (October 1233 – 21 December 1277) was a Sunni Shafi'ite jurist and hadith scholar.[11] Al-Nawawi died at the relatively early age of 45. Despite this, he authored numerous and lengthy works ranging from hadith, to theology, biography, and jurisprudence that are still read to this day. Al-Nawawi, along with Abu al-Qasim al-Rafi'i, are lea
Haunting Echoes of Experimentation
The line between reality and fiction blurs as the passenger becomes entangled in their own creations. They question their own sanity, unsure if they are the author or merely a character within their own twisted tales. The boundaries of time and space dissolve, leaving them adrift in a perpetual purgatory. But amidst the despair, a glimmer of hope flickers. A faint whisper that perhaps, just perhaps, they hold the power to rewrite their own destiny. With each passing story arc, they inch closer t
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Pharesm made a peremptory gesture. Cugel fell silent. Pharesm drew a deep breath. "You fail to understand the calamity you have visited upon me. I will explain, so that you may not be astounded by the rigors which await you. As I have adumbrated, the arrival of the creature was the culmination of my great effort. I determined its nature through a perusal of forty-two thousand librams, all written in crypt
Lay your heart, lay your soul Upon my magic carpet Now we flying To Venus just to kill time for tea, OK? Remember, surrender There's nothing you can do 'cause Love's such a joke Like a little Jack-in-the-box, You know
Comme un écheveau de laine entre les mains d'un enfant Ou les mots d'une rengaine pris dans les harpes du vent Comme un tourbillon de neige, comme un vol de goélands Sur des forêts de Norvège, sur des moutons d'océan Comme le chemin de ronde que font sans cesse les heures Le voyage autour du monde d'un tournesol dans sa fleur Tu fais tourner de ton nom tous les moulins de mon cœur
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
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