Placeholder: [colour picture: Jason and the Argonauts (1963)] Surpanakha's vengeance knows no bounds, surrounded by all type of curvy, Wired and Twisted creatures: snakes, worms, vines, creepers [colour picture: Jason and the Argonauts (1963)] Surpanakha's vengeance knows no bounds, surrounded by all type of curvy, Wired and Twisted creatures: snakes, worms, vines, creepers

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[colour picture: Jason and the Argonauts (1963)] Surpanakha's vengeance knows no bounds, surrounded by all type of curvy, Wired and Twisted creatures: snakes, worms, vines, creepers

distorted image, malformed body, malformed fingers

24 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[Jason and the Argonauts (1963)] his mother Thetis took Achilles to the River Styx, which was supposed to offer powers of invulnerability.
[Jason and the Argonauts (1963)] his mother Thetis took Achilles to the River Styx, which was supposed to offer powers of invulnerability.
[Jason and the Argonauts (1963)] his mother Thetis took Achilles to the River Styx, which was supposed to offer powers of invulnerability.
[art by Russ Meyer, Jason and the Argonauts (1963)] Joe Lara as Tarzan, Olivia d'Abo as Jane Porter and Gordon Griffith as child Korak
Tarzan and his family traveling all over the world starting with New York [art by Russ Meyer, Jason and the Argonauts (1963)] Joe Lara as Tarzan, Olivia d'Abo as Jane Porter and Gordon Griffith as child Korak
[Jason and the Argonauts (1963)] Skeletal army, Skeletal mage, Skeletal archer, Skeletal swordsman
[Jameela Jamil (Tahani Al-Jamil) and Kristen Bell] as barbarian warriors with boots and her battle axe [Jason and the Argonauts (1963)]
[Jameela Jamil (Tahani Al-Jamil) and Kristen Bell] as barbarian warriors with boots and her battle axe [Jason and the Argonauts (1963)]
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. Her sobs echo through the desolate landscape, a mournful melody that speaks of both loss and resilience. But amidst the tears, a fire burns within her. A determination to rise from the ashes, to create something even more extraordinary. The tears may fall, but they will not extinguish her spirit. She wipes
[high res photo by Russ Meyer] it's a scene from Gulliver where the giant is a woman: she's tied up and tickled by lots of dwarfs, she wriggles and writhes with laughter, she's on the ground in crop top, surrounded by ropes, surrounded by the tiny dwarfs tickling her relentlessly.
Ah, the intrepid Tarzan, Jane Porter, and their young child Korak embark on a grand adventure that rivals the epic tales of the legendary Argonauts. In this high-resolution photo captured by the esteemed Russ Meyer, the family of explorers stands poised at the bustling heart of New York, their eyes alight with the fire of wanderlust and discovery.
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. Her sobs echo through the desolate landscape, a mournful melody that speaks of both loss and resilience. But amidst the tears, a fire burns within her. A determination to rise from the ashes, to create something even more extraordinary. The tears may fall, but they will not extinguish her spirit. She wipes
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