Placeholder: [colour high res photo: Jason and the Argonauts (1963) the octopus fight] In the aftermath of the savage battle in the alien cave, Surpanakha emerged as a force to be reckoned with. Her vengeance, fueled by a primal fury that knew no bounds, had left a trail of devastation in its wake. The giant velvet alien tendrils that once sought to ensnare her now lay shattered and defeated, no match for her relentless determination. [colour high res photo: Jason and the Argonauts (1963) the octopus fight] In the aftermath of the savage battle in the alien cave, Surpanakha emerged as a force to be reckoned with. Her vengeance, fueled by a primal fury that knew no bounds, had left a trail of devastation in its wake. The giant velvet alien tendrils that once sought to ensnare her now lay shattered and defeated, no match for her relentless determination.

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[colour high res photo: Jason and the Argonauts (1963) the octopus fight] In the aftermath of the savage battle in the alien cave, Surpanakha emerged as a force to be reckoned with. Her vengeance, fueled by a primal fury that knew no bounds, had left a trail of devastation in its wake. The giant velvet alien tendrils that once sought to ensnare her now lay shattered and defeated, no match for her relentless determination.

distorted image, malformed body, malformed fingers

7 days ago

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[colour high res photo: Jason and the Argonauts (1963) the octopus fight] In the aftermath of the savage battle in the alien cave, Surpanakha emerged as a force to be reckoned with. Her vengeance, fueled by a primal fury that knew no bounds, had left a trail of devastation in its wake. The giant velvet alien tendrils that once sought to ensnare her now lay shattered and defeated, no match for her relentless determination.
[colour picture: Jason and the Argonauts (1963) the octopus fight] In the aftermath of the savage battle in the alien cave, Surpanakha emerged as a force to be reckoned with. Her vengeance, fueled by a primal fury that knew no bounds, had left a trail of devastation in its wake. The giant velvet alien tendrils that once sought to ensnare her now lay shattered and defeated, no match for her relentless determination.
Ah, the intrepid Tarzan, Jane Porter, and their young child Korak embark on a grand adventure that rivals the epic tales of the legendary Argonauts. In this high-resolution photo captured by the esteemed Russ Meyer, the family of explorers stands poised at the bustling heart of New York, their eyes alight with the fire of wanderlust and discovery.
[colour 1960’s stop-motion animation style on the battlefield ] a 70s advertisement video TV featuring a fight begins with great intensity.The barbarian warrior uses her weapons hitting the monster severely ripping pieces of her grotesque and monstrous foe. but the monster is very strong and does not let himself be killed.he attacks with deadly fury the barbara warrior and manages to grab her embracing her with his distorted and very strong arms, full of rigid muscles.he hugs her very tightly
[Jason and the Argonauts (1963)] his mother Thetis took Achilles to the River Styx, which was supposed to offer powers of invulnerability.
[colour picture: Jason and the Argonauts (1963)] Surpanakha's vengeance knows no bounds, surrounded by all type of curvy, Wired and Twisted creatures: snakes, worms, vines, creepers
[Jason and the Argonauts (1963)] the barbarian woman with fury boots in titanium scale armour
[colour picture: Jason and the Argonauts (1963)] As the night wears on, Surpanakha's vengeance knows no bounds. The forest becomes a stage for her savage dance, a symphony of pain and terror. Her sobs echo through the desolate landscape, a mournful melody that speaks of both loss and resilience. But amidst the tears, a fire burns within her. A determination to rise from the ashes, to create something even more extraordinary. The tears may fall, but they will not extinguish her spirit. She wipes
[high res photo of a movie by Ray Harryhausen] confident tattooed Arnold Schwarzenegger in a revealing leather outfit and fur boots As A Wasteland Warrior, he has incredible weapons, dusty and rusty
Tarzan and his family traveling all over the world starting with New York [art by Russ Meyer, Jason and the Argonauts (1963)] Joe Lara as Tarzan, Olivia d'Abo as Jane Porter and Gordon Griffith as child Korak
[colour 1960’s stop-motion animation style on the battlefield ] a 70s advertisement video TV featuring a fight begins with great intensity.The barbarian warrior uses her weapons hitting the monster severely ripping pieces of her grotesque and monstrous foe. but the monster is very strong and does not let himself be killed.he attacks with deadly fury the barbara warrior and manages to grab her embracing her with his distorted and very strong arms, full of rigid muscles.he hugs her very tightly
[Jason and the Argonauts (1963)] The Slime creatures—often referred to simply as "Slimes"—are a unique species of monsters that have developed a deep and almost obsessive fascination with human culture. Unlike many other monstrous beings, the Slimes are not driven by hunger for power, but rather by an intense admiration for the customs, manners, and traditions of humanity. Over centuries, they have adopted and integrated elegant human habits into their own way of life, becoming known for their
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