Placeholder: [photo of British science fiction programme created by Gerry and Sylvia Anderson (1965)] thunderbird inside the organism - intriguing, captivating. A tiny creature with immense power, hidden within the depths of a living being. The concept sends shivers down the spine, a blend of mystique and danger. [photo of British science fiction programme created by Gerry and Sylvia Anderson (1965)] thunderbird inside the organism - intriguing, captivating. A tiny creature with immense power, hidden within the depths of a living being. The concept sends shivers down the spine, a blend of mystique and danger.

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[photo of British science fiction programme created by Gerry and Sylvia Anderson (1965)] thunderbird inside the organism - intriguing, captivating. A tiny creature with immense power, hidden within the depths of a living being. The concept sends shivers down the spine, a blend of mystique and danger.

distorted image, malformed body, malformed fingers

12 days ago

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SSD-1B

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[art by Marcel Gottlieb, dit Gotlib] a Licensed space jockey in action
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[high res photo by Jean-Claude Meziere with Kupka's palette] Ensign Williams, driven by an unexplained urge, followed her instincts and ventured outside the secured areas of the USS Enterprise in a shuttlecraft. Flying over the desolate, desert-like surface of the uncharted Class M planet, she left behind the familiar mountains and entered a barren landscape that seemed to stretch endlessly. Dust devils danced across the plains, and ancient rock formations stood as silent sentinels of the planet
[Kupka] Driven by an unexplained urge, Ensign Williams followed her instincts, venturing outside the secured areas of the Starfleet vessel USS Enterprise in a shuttlecraft. She flew across the desert-like surface of the uncharted Class M planet they were orbiting, leaving the mountains they had been surveying behind. The barren landscape stretched as far as the sensors could detect, a stark contrast to the sleek corridors and bustling activity of the starships she called home. The sterile enviro
[art by Marcel Gottlieb, dit Gotlib] a Licensed space jockey
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
SNIFFIN'GLUE mag cover by Marcel Gottlieb, dit Gotlib for a special issue on space races, guest star: Licensed space jockey
Visions Of Arzach by Joe Kubert
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
[art of John Blanche, frank frazetta, Heath Robinson and Norman Rockwell] The starship drifted through the void, its hull a lattice of blackened chrome and crimson light, pulsating. Within its core, the engine hummed with an energetic rhythm, a mechanical heartbeat defying the silence of the abyss.Cloaked in an enigmatic aura, the pilot sat in solitude, her face half-hidden behind a mask of iridescent crystal. She was a navigator of the forgotten, charting pathways through dimensions no human mi
SNFIIN'GLUE mag cover by Ralph Steadman for a special issue on medical tooling for Extra Terrestrial experiments (zone 51), guest star: FBI special agent investigating on UFO for experiments on humans
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
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