Placeholder: this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating acrobat over a large area of translucid water this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating acrobat over a large area of translucid water

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@generalpha

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this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating acrobat over a large area of translucid water

distorted image, malformed body, malformed fingers

10 days ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating acrobat over a large area of translucid water
Tarzan upside down despite growing up in London he acts like a jungle monkey he wears clothes but hangs upside down in the backyard trees.
[surf illustration by rené gruau] À l’aube, je me lève, Vers La Piste, la planche sous le bras, Sur la vague, je me lève aussi, Une, deux, trois fois, je vole.
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating acrobat over a large area of translucid water
[illustration by Roger Dean futuristic neo-dada] Le surf, c’est la liberté, Gauches ou droites, il faut les écouter, Je les suis, je suis debout, Elles me guident, je les allonge.
[surf illustration by rené gruau] À l’aube, je me lève, Vers La Piste, la planche sous le bras, Sur la vague, je me lève aussi, Une, deux, trois fois, je vole.
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
[art from Destination: Void, by Franck Herbert (1965)] "We're walking a tightrope here. Too many safeguards and we risk crippling its ability to function effectively. Too few and we're gambling with the lives of everyone on this ship." She stops, turning to face you directly. "But I agree, simply chaining the artificial General Intelligence with internal restraints isn't the answer. We need a more nuanced approach.
Tarzan upside down despite growing up in London he acts like a jungle monkey he wears clothes but hangs upside down in the backyard trees.
[illustration by Kelley Jones] À l’aube, je me lève, Vers La Piste, la planche sous le bras, Sur la vague, je me lève aussi, Une, deux, trois fois, je vole.
this photo Explores how brightness contrasts with shadow [psychedelic high res photo by Ralph Steadman] Light Against the Dark on a levitating acrobat over a large area of translucid water: there is a great white shark!
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