Placeholder: [art from H. R. Giger's Brazil (1985)] The desk employee, lost in the labyrinth of bureaucracy, fills out forms with a mechanical precision that belies his inner turmoil. The pen in his hand dances across the paper, tracing sigils and symbols that seem to whisper secrets of a reality beyond his grasp. Suddenly, the walls of the office begin to ripple like water, warping and twisting into grotesque shapes that defy logic. he delves deeper into this strange and fantastical world [art from H. R. Giger's Brazil (1985)] The desk employee, lost in the labyrinth of bureaucracy, fills out forms with a mechanical precision that belies his inner turmoil. The pen in his hand dances across the paper, tracing sigils and symbols that seem to whisper secrets of a reality beyond his grasp. Suddenly, the walls of the office begin to ripple like water, warping and twisting into grotesque shapes that defy logic. he delves deeper into this strange and fantastical world

@generalpha

Prompt

[art from H. R. Giger's Brazil (1985)] The desk employee, lost in the labyrinth of bureaucracy, fills out forms with a mechanical precision that belies his inner turmoil. The pen in his hand dances across the paper, tracing sigils and symbols that seem to whisper secrets of a reality beyond his grasp. Suddenly, the walls of the office begin to ripple like water, warping and twisting into grotesque shapes that defy logic. he delves deeper into this strange and fantastical world

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

5 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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The desk employee, lost in the labyrinth of bureaucracy, fills out forms with a mechanical precision that belies his inner turmoil. The pen in his hand dances across the paper, tracing sigils and symbols that seem to whisper secrets of a reality beyond his grasp. Suddenly, the walls of the office begin to ripple like water, warping and twisting into grotesque shapes that defy logic. he delves deeper into this strange and fantastical world
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[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[art from Destination: Void, by Franck Herbert (1965)] ""Well," he says, his voice heavy with the gravity of the situation, "let's see what we can do with this mess. We need to create something that can handle the ship's systems, but also learn and adapt. It won't be easy."
[art form Terry Gilliam's Brazil (1985)] The desk employee, lost in the labyrinth of bureaucracy, fills out forms with a mechanical precision that belies his inner turmoil. The pen in his hand dances across the paper, tracing sigils and symbols that seem to whisper secrets of a reality beyond his grasp. Suddenly, the walls of the office begin to ripple like water, warping and twisting into grotesque shapes that defy logic. he delves deeper into this strange and fantastical world

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