Placeholder: [1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh [1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh

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[1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh

distorted image, malformed body, malformed fingers

2 months ago

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SSD-1B

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7

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1280 × 720

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[1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh
[colour helmut newton 1960’s stop-motion animation style the small Jesus house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
[colour helmut newton 1960’s stop-motion animation style the small Jesus house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos
[art by Charles Addams] Morticia Addams sits in front of a mirror at a vanity, in her room
A tall housewife looking down at a doll house on the floor of a 1950s living room. In the style of the 1950s black-and-white movie The Incredible Shrinking Man.
A detailed and whimsical illustration, created in a vintage charcoal style. This piece explores unique and fantastic architecture, with intricate details that invite the viewer to discover every corner. The figure at the entrance adds a touch of mystery and narrative to this imaginary scene. Ideal for lovers of fantasy art and traditional drawing.
Snow White war map room (Snow White in flesh surrounded by soldiers)
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
The White Nurse enters in the dimly lit bedroom, shadows danced ominously across the walls as the night grew darker. The room is filled with terror as the monstrous presence beneath your bed stirred and twisted, its eerie limbs creeping out into the moonlit room. Just as fear threatened to consume you, a soft, soothing voice cut through the darkness.
From a film studio in an alternate universe... Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depict
The deadline looms as the unearthly music swells around me. Another mysterious tale takes shape amid the flickering lights and scrapes of stone on stone. What monsters will crawl from the recesses of my mind this time? Mama Yaga's watching, as always, from her crooked hut in the grim forest. I can feel her beady eyes peering through the gloom, waiting to see what images I will weave with pen and ink. The pressure builds, a familiar intruder, but inspiration remains elusive. The radio spirits off
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