Placeholder: [1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh [1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh

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[1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh

distorted image, malformed body, malformed fingers

10 days ago

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SSD-1B

Guidance Scale

7

Dimensions

1280 × 720

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[1960’s stop-motion animation style in small house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos, eyeballs and trees everywh
[colour helmut newton 1960’s stop-motion animation style the small Jesus house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos
From a film studio in an alternate universe... Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depict
The deadline looms as the unearthly music swells around me. Another mysterious tale takes shape amid the flickering lights and scrapes of stone on stone. What monsters will crawl from the recesses of my mind this time? Mama Yaga's watching, as always, from her crooked hut in the grim forest. I can feel her beady eyes peering through the gloom, waiting to see what images I will weave with pen and ink. The pressure builds, a familiar intruder, but inspiration remains elusive. The radio spirits off
[art by Charles Addams] Morticia Addams sits in front of a mirror at a vanity, in her room
A tall housewife looking down at a doll house on the floor of a 1950s living room. In the style of the 1950s black-and-white movie The Incredible Shrinking Man.
[colour helmut newton 1960’s stop-motion animation style the small Jesus house near Bethlehem] a 70s advertisement video TV featuring In the corner, a figure emerges from the shadows. It's Maria Magdalena in agent provocateur, her eyes gleaming with a mixture of allure and danger. She moves towards you with a grace that captivates your every sense, drawing you in like a moth to a flame as a claymation character toy from a claymation horror movie in burning rainbow land, from hell, creepy Videos
In a surreal twist, Maria Magdalena encounters an ancient soldier, a spectral figure who seeks shelter in an abandoned home. Their encounter in this twilight zone reveals the depth of her inner turmoil and the resilience of her spirit. But alas, the pressure of deadlines and the demands of the art world threaten to overwhelm Maria Magdalena. The constant need for something new and different drives her to the edge. She battles with the voices in her head, struggling to find her unique voice amids
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
And who's to blame you for wanting rest, after leading this body and soul such merry dances through steam and shadow? My hands have scarce stopped fluttering over shutter and film in fevered efforts to lock your magic onto light. But the equipment lays idle now as I watch your steady breaths, heaving bosom stilled at last beneath clinging sleeves. One hand trails idle upon the padded planks, tracing shapes and sigils that stir memories of moonlit revels beneath the trees. And though wild joys ma
Snow White war map room (Snow White in flesh surrounded by soldiers)
[Conan The Barbarian (1982)] In the medieval dining room of the large castle, she sits alone in a linen dress at the wooden table. The flickering torches casts dancing shadows across the walls. Her eyes are drawn to a majestic statue mounted on the wall, depicting a woman clad in armor, strikingly similar to herself. The intricately carved features of the armored woman seem to gaze back at her, as if urging her to embrace her destiny.
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