Placeholder: A tall housewife looking down at a doll house on the floor of a 1950s living room. In the style of the 1950s black-and-white movie The Incredible Shrinking Man. A tall housewife looking down at a doll house on the floor of a 1950s living room. In the style of the 1950s black-and-white movie The Incredible Shrinking Man.

@generalpha

Prompt

A tall housewife looking down at a doll house on the floor of a 1950s living room. In the style of the 1950s black-and-white movie The Incredible Shrinking Man.

doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

1 year ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

Similar

A tall housewife looking down at a doll house on the floor of a 1950s living room. In the style of the 1950s black-and-white movie The Incredible Shrinking Man.
[photo by Russ Meyer, in the 90ties] facing a lonely smiling woman on the door step of an appartement, in gym, talking. we see the corridor behind her
From a film studio in an alternate universe... Title: Anubis: Lord of the Afterlife Year: 1940 Genre: Adventure / Epic / Fantasy Director: Fritz Lang Writer: Cecil B. DeMille (Story), Dalton Trumbo (Screenplay) Stars: Yul Brynner, Vivien Leigh, and Claude Rains Runtime: 187 min In Anubis: Lord of the Afterlife, Yul Brynner delivers a powerful performance as Anubis, the ancient Egyptian god of death and the afterlife. The film is an epic tale set during the reign of Pharaoh Seti I, depict
[art by Wes Anderson] the reflection in the mirror in not her
[photo by Russ Meyer] facing a woman on the door step of an appartement, in gym, talking. we see the corridor behind her
[fun photo by Russ Meyer] the condom factory. The factory door opens and a woman dressed in a sexy outfit of Dorothy from the wizard of Oz begins slowly walking to the gate. open box of condoms on your bedside table
Wilma Flinstone as a boxer
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.
[photo by Russ Meyer, in the locker room of the swimming pool] she slips into her swimsuit, the door opens.
Before the mirror she stands in faded cotton underthings, old but comfortable. This is intimacy's barrier, where innocence disguises give way to shadowed truth.Slowly, the last vestiges of perceived maturity shed away. First go stockings in crisp white, sliding up shapely calves and securing above the knee. Her reflection watches, expression unchanging, as if through someone else's eyes.Next, a simple short-sleeved blouse, buttons slipping closed almost by their own accord. The starchy collar fe
Marilyn in agent provocateur entertaining the nurses in the Korean war
[photo by Russ Meyer, in the 90ties] facing a lonely smiling woman on the door step of an appartement, in gym, talking. we see the corridor behind her

© 2024 Stablecog, Inc.