Placeholder: The new conscious being, now known as 'Ship', gains a level of awareness that allows it to manipulate space and time. Ship instantly transports itself to a planet which it has decided the crew will colonize, christening it "Pandora". The first book ends with a demand from Ship for the crew to learn how to WorShip or how to establish a relationship with Ship, a godlike being. The new conscious being, now known as 'Ship', gains a level of awareness that allows it to manipulate space and time. Ship instantly transports itself to a planet which it has decided the crew will colonize, christening it "Pandora". The first book ends with a demand from Ship for the crew to learn how to WorShip or how to establish a relationship with Ship, a godlike being.

@generalpha

Prompt

The new conscious being, now known as 'Ship', gains a level of awareness that allows it to manipulate space and time. Ship instantly transports itself to a planet which it has decided the crew will colonize, christening it "Pandora". The first book ends with a demand from Ship for the crew to learn how to WorShip or how to establish a relationship with Ship, a godlike being.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

11 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

4096 × 4096

Similar

by the time of The Jesus Incident, the crew has become a mixed bag of peoples from various cultures that have been accepted as crew members by Ship when it visited their planet as well as people who have been conceived and born on the ship. Evidently Ship has shown up at a number of planets as the suns of those planets were going nova, the implication being that these planets were other, failed experiments by Ship to establish a relationship with human beings. Ship refers to these as replays of
Many independent space stations feature bars founded by and run for Wildcat salvagers. A popular stylistic motif of these bars is shipwreck art. In this series we see a collection of artworks featuring wrecks salvaged on the marginal fringe world of Celmira, site of a famous Lumiran battle long ago. Here, we see a Gladiator class attack ship, a mainstay of the Free Systems Coalition.
[spaceship, art of Casca from Berserk] The Stellaris nears the blue planet,Its red forests beckon with allure.The starship descends, flames ablaze,Through the celestial descent it endures.Stepping onto the crimson soil,The crew is awestruck by the vista.Towering trees, aglow with inner light,Creatures dart amidst the surreal landscape.
Death has arrived and it came in a spaceship.
The new conscious being, now known as 'Ship', gains a level of awareness that allows it to manipulate space and time. Ship instantly transports itself to a planet which it has decided the crew will colonize, christening it "Pandora". The first book ends with a demand from Ship for the crew to learn how to WorShip or how to establish a relationship with Ship, a godlike being.
Days almost, month probably, year never. "We're in space," Captain Mitchell mused. The team synced, squadron leader pleased. Into a cave they ventured, whispers of another realm. Shadows danced, symbols pulsed. Reality blurred, whispers echoed. Lieutenant Ramirez led, hearts raced. Time lost, past merged. A new realm beckoned. "Together, we face the unknown," Ramirez said. Hearts pounding, minds aflame, they crossed into darkness. Infinite in this moment, they sought answers, conquered fears, re
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
[art by Moebius] A massive white spaceship with round windows flies through the sky, leaving behind two long light trails, in a scifi style, realistic photography, concept art in the style of Blade Runner
Aliens have finally arrived to make contact with us. Only problem is they are monstrous and dead, and they have come to assimilate us into their eternity.
In a stark, alien landscape rendered in bold, flat colors, a colossal spaceship has crash-landed. Its metallic hull, etched with harsh lines and rivets, is stained with streaks_of what could be oil or alien blood. The ground around it is cracked and uneven, hinting at the violence_of the impact. Jagged, jagged mountains rise in the distance, their peaks scraping a sky filled with swirling, alien clouds. There's no sign of life, just an unsettling emptiness that stretches out in all directions. T
[art by Chris Foss] Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software
this starship, in addition to its imposing presence, is equipped with automated heavy weapons. These weapons, sleek and lethal, are ready to unleash havoc at a moment's notice. They add a sense of impending conflict and heighten the tension in this desolate landscape. As I envision this scene, the jagged mountains rise in the distance, their peaks scraping a sky filled with swirling, alien clouds. There's no sign of life, just an unsettling emptiness that stretches out in all directions. The ove

© 2024 Stablecog, Inc.