Placeholder: [art by Angus McKie] the reflection in the mirror is not her [art by Angus McKie] the reflection in the mirror is not her

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[art by Angus McKie] the reflection in the mirror is not her

2 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[art by Angus McKie] the reflection in the mirror is not her
[art by Zdzisław Beksiński] She stands tall, her presence commanding respect. A young Bene Gesserit, a woman of poise and grace, adorned in the traditional black robes of her order. Her eyes, piercing and calculating, seem to hold a depth of knowledge beyond her years. The bridge of the spaceship is her realm, her domain.
[kupka] The Lazarus Effect (Frank Herbert)
[art by Moebius: cover of dungeon and dragons module B3] palace of the silver princess, by Tom Moldvay and Jean Wells (1981) introduction module for characters levels 1-3
[art by Angus McKie] the reflection in the mirror is not her
[art by Zdzisław Beksiński] She stands tall, her presence commanding respect. A young Bene Gesserit, a woman of poise and grace, adorned in the traditional black robes of her order. Her eyes, piercing and calculating, seem to hold a depth of knowledge beyond her years. The bridge of the spaceship is her realm, her domain.
Philippe Caza, 1987 Le congres de futurologie
Amazing landscape of Roger Dean style futuristic multi-color organic forms. Girls in cute red translucent revealing uniforms hunt giant alien insects amidst a scenery of fields of exotic fauna and flora. Tube city and their male counterparts in the background .
[Kupka] Driven by an unexplained urge, Dorothy followed her instincts, venturing outside the city limits and into the desolate desert that surrounded it. The barren landscape stretched as far as the eye could see, a stark contrast to the neon-lit concrete jungle she called home. The cyberpunk world seemed distant here, replaced by the vastness of nature.
[Kupka] Driven by an unexplained urge, Ensign Dorothy followed her instincts, venturing outside the secure sections of the starship USS Enterprise. The sleek corridors and gleaming infrastructure gave way to unused maintenance trenches and Jefferies tubes. While expertise and caution were required to navigate the antiquated infrastructure, a sense of removal from duty calls beckoned her deeper. This network stretched further than any crew member had documented, a vast contrast to the bustling op
Stephen Fabian “The Dream of X” Illustration Original Art (Donald M. Grant, 1977)
Philippe Caza, 1987 Le congres de futurologie
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