Placeholder: [art by Angus McKie] the reflection in the mirror is not her [art by Angus McKie] the reflection in the mirror is not her

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[art by Angus McKie] the reflection in the mirror is not her

1 year ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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[art by Angus McKie] the reflection in the mirror is not her
[art by Steve Rude]
[high res photo by Helmut Newton] A cosmic fantasy illustration of Miranda, ancient goddess of Abysses and Cold — a towering, ageless female deity emerging from a starless void. Her presence radiates brutal power and paranoia. Skin like cracked ice and obsidian, eyes abyss-dark with glacial light. She stands amid spiraling void geometry and frozen cosmic debris, cold mist and shadow folding into her form. The scene feels feared and forgotten, as if she is believed asleep but is awakening. Tone:
Valérian & Laureline (TV Series by Jean-Claude Mézières, 1967) Based on a French comic book set in a somewhat utopian future where time travel is possible, the show follows two futuristic spatio-temporal French special agents who protect time and space from time travel-related paradoxes.
[art by John Blanche] Maria Magdalena's spirit weaves through the neon-lit corridors, imbuing the spaceship with a sacred presence that transcends time and space. As the enigmatic whispers of Maria Magdalena guide the machines on their cosmic journey, a transcendent union of past and future unfolds, illuminating the path towards a higher understanding of the universe's mysteries.
[art by Philippe Druillet] I want to break free, I want to break free I want to break free from your lies You're so self-satisfied I don't need you I've got to break free God knows, God knows I want to break free
[art by Norman Rockwell] Maria Magdalena's spirit weaves through the neon-lit corridors, imbuing the spaceship with a sacred presence that transcends time and space. As the enigmatic whispers of Maria Magdalena guide the machines on their cosmic journey, a transcendent union of past and future unfolds, illuminating the path towards a higher understanding of the universe's mysteries.
franco-belgian comics style mixed with 70´s oil pulp illustrated by Andrew MacLean: Cover image from the March 29, 1968, issue of LIFE: Barbarella in the title role of the movie,.
[art by Hajime Sorayama] a female T600 robot, exuding sleek sophistication in Agent Provocateur, holds a beer in one hand and a rifle in the other. Surrounded by a mesmerizing display of retro TV sets emitting static, the scene pulsates with a unique blend of high-tech allure and vintage charm. As the bold Japanese writing flashes across the CRT 90s TV screen
Barbarella in her iconic scenes
Valérian & Laureline (TV Series by Jean-Claude Mézières, 1967) Based on a French comic book set in a somewhat utopian future where time travel is possible, the show follows two futuristic spatio-temporal French special agents who protect time and space from time travel-related paradoxes.
[art by Angus McKie] the reflection in the mirror is not her
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