Placeholder: SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadman: special issue #42 on older statues of Saint Maria seen from below, guest star: Lola Glaudini with no inhibitions under the shower, she is blessing the sky in agent provocateur [a lot of writing and table of content issues like indie magazines] SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadman: special issue #42 on older statues of Saint Maria seen from below, guest star: Lola Glaudini with no inhibitions under the shower, she is blessing the sky in agent provocateur [a lot of writing and table of content issues like indie magazines]

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SNIFFIN’ GLUE magazine high res photo cover by Ralph Steadman: special issue #42 on older statues of Saint Maria seen from below, guest star: Lola Glaudini with no inhibitions under the shower, she is blessing the sky in agent provocateur [a lot of writing and table of content issues like indie magazines]

distorted image, malformed body, malformed fingers

17 days ago

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SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

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[Polaroid Land Camera 1947] The Winged Victory of Samothrace, as a true Greek woman in flesh, emanates a captivating blend of strength, grace, and divine beauty. Her flowing golden hair, captivating eyes, and delicate features embody an ageless allure. Adorned in flowing garments, she spreads her wings with elegance and power, symbolizing the indomitable spirit of the Greek people. A living embodiment of Greek culture and mythology, she stands as a timeless inspiration for generations to come.
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art
Canova's reimagined Michelangelo's Pietà with two women is a vision that stirs my soul, The Mount of Olives, with its ancient olive trees whispering tales of centuries past: In front of the hallowed sepulchre, two women standing in silent vigil. Their faces, etched with sorrow and resilience, mirror the timeless grief of the original Pietà, yet their presence speaks to a different narrative, a story of sisterhood and solidarity in the face of adversity.
The Winged Victory of Samothrace, as a true Greek woman in flesh, emanates a captivating blend of strength, grace, and divine beauty. Her flowing golden hair, captivating eyes, and delicate features embody an ageless allure. Adorned in flowing garments, she spreads her wings with elegance and power, symbolizing the indomitable spirit of the Greek people. A living embodiment of Greek culture and mythology, she stands as a timeless inspiration for generations to come.
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art over a volcano
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deiced art over a volcano
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: Darina (dianna_dia79) Assembled from two photos, both mine
The Winged Victory of Samothrace, as a true Greek woman in flesh, emanates a captivating blend of strength, grace, and divine beauty. Her flowing golden hair, captivating eyes, and delicate features embody an ageless allure. Adorned in flowing garments, she spreads her wings with elegance and power, symbolizing the indomitable spirit of the Greek people. A living embodiment of Greek culture and mythology, she stands as a timeless inspiration for generations to come.
[Polaroid Land Camera 1947] The Winged Victory of Samothrace, as a true Greek woman in flesh, emanates a captivating blend of strength, grace, and divine beauty. Her flowing golden hair, captivating eyes, and delicate features embody an ageless allure. Adorned in flowing garments, she spreads her wings with elegance and power, symbolizing the indomitable spirit of the Greek people. A living embodiment of Greek culture and mythology, she stands as a timeless inspiration for generations to come.
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deicide art over a volcano
Childeric's Roman past. Here are some answers: Childeric may have held a high Roman military rank, but his political interests then turned to the creation of an independent Frankish kingdom. Syagrius, on the other hand, controlled a larger Roman territory that risked competing with Childeric's authority over the Franks. Their respective legitimacies could come into conflict, one symbolizing Roman permanence, the other aspiring to found a new Frankish entity. Syagrius' rapprochement with the Visi
After "Bacchante" by Albert-Ernest Carrier-Belleuse, 1863. Musee d'Orsay, Paris Model: insane god/deicide art over a volcano
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