Placeholder: when Star Trek meets Star Wars when Star Trek meets Star Wars

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when Star Trek meets Star Wars

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

10 months ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

4096 × 4096

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by the time of The Jesus Incident, the crew has become a mixed bag of peoples from various cultures that have been accepted as crew members by Ship when it visited their planet as well as people who have been conceived and born on the ship. Evidently Ship has shown up at a number of planets as the suns of those planets were going nova, the implication being that these planets were other, failed experiments by Ship to establish a relationship with human beings. Ship refers to these as replays of
Star Trek Meets Star Wars
[Kupka] Driven by an unexplained urge, Ensign Williams followed her instincts, venturing outside the secured areas of the Starfleet vessel USS Enterprise in a shuttlecraft. She flew across the desert-like surface of the uncharted Class M planet they were orbiting, leaving the mountains they had been surveying behind. The barren landscape stretched as far as the sensors could detect, a stark contrast to the sleek corridors and bustling activity of the starships she called home. The sterile enviro
[art by Moebius] A massive white spaceship with round windows flies through the sky, leaving behind two long light trails, in a scifi style, realistic photography, concept art in the style of Blade Runner
[Kupka] Driven by an unexplained urge, Ensign Williams followed her instincts, venturing outside the secured areas of the Starfleet vessel USS Enterprise in a shuttlecraft. She flew across the desert-like surface of the uncharted Class M planet they were orbiting, leaving the mountains they had been surveying behind. The barren landscape stretched as far as the sensors could detect, a stark contrast to the sleek corridors and bustling activity of the starships she called home. The sterile enviro
Dulk: Zorg to Imperial Invasion Fleet, now is the time to strike!
[art by Bruce Pennington]
Bruce Pennington’s 1974 cover art for “Beyond This Horizon,” by Robert Heinlein
Death has arrived and it came in a spaceship.
[art by Bruce Pennington]
Cardboard ship lit by LEDs with a light from a solar garden lamp in the middle in the background a poster of the keel nebula. foto in long exposure with a y 360 huawei with the long exposure software. , by Chris Foss
this starship, in addition to its imposing presence, is equipped with automated heavy weapons. These weapons, sleek and lethal, are ready to unleash havoc at a moment's notice. They add a sense of impending conflict and heighten the tension in this desolate landscape. As I envision this scene, the jagged mountains rise in the distance, their peaks scraping a sky filled with swirling, alien clouds. There's no sign of life, just an unsettling emptiness that stretches out in all directions. The ove

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