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when Star Trek meets Star Wars

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

3 years ago

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Model

SSD-1B

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7

Dimensions

4096 × 4096

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Star Trek: The needs of the many outweigh the needs of the few, or the one
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
Death has arrived and it came in a spaceship.
[art by Bruce Pennington]
by the time of The Jesus Incident, the crew has become a mixed bag of peoples from various cultures that have been accepted as crew members by Ship when it visited their planet as well as people who have been conceived and born on the ship. Evidently Ship has shown up at a number of planets as the suns of those planets were going nova, the implication being that these planets were other, failed experiments by Ship to establish a relationship with human beings. Ship refers to these as replays of
the iconic scene merging Star Trek, Star Wars and Dune
Star Trek Meets Star Wars
A group of scientists, A conscious machine In the space, in a spaceship, with a computer: Destination: Void this is the science fiction novel by Frank Herbert, the first of four novels in the Pandora Sequence series. the story is continued—and embellished with more details of the Moonbase project and the history of the clones—in The Jesus Incident, The Lazarus Effect and The Ascension Factor co-authored by Bill Ransom. Record of Lodoss War style, Linework: Expressive, expressive black ink line
[Kupka] Driven by an unexplained urge, Ensign Williams followed her instincts, venturing outside the secured areas of the Starfleet vessel USS Enterprise in a shuttlecraft. She flew across the desert-like surface of the uncharted Class M planet they were orbiting, leaving the mountains they had been surveying behind. The barren landscape stretched as far as the sensors could detect, a stark contrast to the sleek corridors and bustling activity of the starships she called home. The sterile enviro
the iconic spaceship of Destination: Void, by Franck Herbert (1965)
Dulk: Zorg to Imperial Invasion Fleet, now is the time to strike!
[art of John Blanche, frank frazetta, Heath Robinson and Norman Rockwell] The starship drifted through the void, its hull a lattice of blackened chrome and crimson light, pulsating. Within its core, the engine hummed with an energetic rhythm, a mechanical heartbeat defying the silence of the abyss.Cloaked in an enigmatic aura, the pilot sat in solitude, her face half-hidden behind a mask of iridescent crystal. She was a navigator of the forgotten, charting pathways through dimensions no human mi

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