Placeholder: Star Trek: The mightiest futuristic hypership in the galaxy. Lots of detail. Star Trek: The mightiest futuristic hypership in the galaxy. Lots of detail.

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Star Trek: The mightiest futuristic hypership in the galaxy. Lots of detail.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

8 months ago

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Model

SSD-1B

Guidance Scale

7

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1024 × 1024

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Star Trek: The mightiest futuristic hypership in the galaxy. Lots of detail.
The new conscious being, now known as 'Ship', gains a level of awareness that allows it to manipulate space and time. Ship instantly transports itself to a planet which it has decided the crew will colonize, christening it "Pandora". The first book ends with a demand from Ship for the crew to learn how to WorShip or how to establish a relationship with Ship, a godlike being.
Days almost, month probably, year never. "We're in space," Captain Mitchell mused. The team synced, squadron leader pleased. Into a cave they ventured, whispers of another realm. Shadows danced, symbols pulsed. Reality blurred, whispers echoed. Lieutenant Ramirez led, hearts raced. Time lost, past merged. A new realm beckoned. "Together, we face the unknown," Ramirez said. Hearts pounding, minds aflame, they crossed into darkness. Infinite in this moment, they sought answers, conquered fears, re
The mainstay of Star Command's frigate fleet, the Hunter Class was a hybrid of reaction and inertialess drive. A third more powerful than the aging Ranger Class, the Hunter was more than capable against both human and alien foes alike.
The mightiest futuristic hypership in the galaxy. Lots of detail.
the zeppelin shaped space ship is shown flying through the star field, hyperspace noir, forced perspective, dark gray and gray
this starship, in addition to its imposing presence, is equipped with automated heavy weapons. These weapons, sleek and lethal, are ready to unleash havoc at a moment's notice. They add a sense of impending conflict and heighten the tension in this desolate landscape. As I envision this scene, the jagged mountains rise in the distance, their peaks scraping a sky filled with swirling, alien clouds. There's no sign of life, just an unsettling emptiness that stretches out in all directions. The ove
[spaceship, art of Casca from Berserk] The Stellaris nears the blue planet,Its red forests beckon with allure.The starship descends, flames ablaze,Through the celestial descent it endures.Stepping onto the crimson soil,The crew is awestruck by the vista.Towering trees, aglow with inner light,Creatures dart amidst the surreal landscape.
The mightiest futuristic hypership in the galaxy. Lots of detail.
by the time of The Jesus Incident, the crew has become a mixed bag of peoples from various cultures that have been accepted as crew members by Ship when it visited their planet as well as people who have been conceived and born on the ship. Evidently Ship has shown up at a number of planets as the suns of those planets were going nova, the implication being that these planets were other, failed experiments by Ship to establish a relationship with human beings. Ship refers to these as replays of
Among Us The Skeld Ship Outside
A versatile spacecraft, the JX20 is equally adept at carrying both cargo and passenger. A unique feature of the JX20 are the Cordova twin transwarp engines, which are usually reserved for much larger freighter class craft, where efficient interstellar capability is a requirement. The heavy engines do not hamper the JX20's manuverability, as the ship's always-on warp envelope is dynamically modulated by an array of graviton cells embedded in the hull, enabling tight and reflexive turn and yaw con

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