Placeholder: They came into the kitchen without any forks. They came into the kitchen without any forks.

@generalpha

Prompt

They came into the kitchen without any forks.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

9 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

832 × 1248

Similar

They came into the kitchen without any forks.
As the first rays of sunlight filtered through the curtains, Megan slowly opened her eyes, her senses still tingling with the remnants of the previous night's encounter. She lifted her gaze to the bedside table, where the talisman rested, its intricate design catching the morning light. A wave of uncertainty washed over her as she pondered the events of the previous night. Was it all just a dream, a vivid projection of her deepest desires? Megan couldn't deny the intensity of the experience, the
realistic photo 8k an empty bed with new sheets and loose clothes
A creative collection of minimalist kitchen utensils with whimsical, impractical uses. There's a spatula shaped like a rocket ship, a rolling pin that transforms into a tiny car, a knife with a tiny sail, and an egg beater that turns into a helicopter. The utensils are designed with clean lines and simple shapes, adding a touch of humor to the otherwise functional kitchen setting.
Le Journal du dehors, Tanya Leslie, Exteriors, Fitzcarraldo en 2021,
two queues of clients on both sides of a counter
In a whirlwind of retro nostalgia, a 90s food television advertisement unfolds with a surreal twist. Picture this: a robot resembling a Terminator T600, holding a beer in one metallic hand and a rifle in the other, surrounded by a multitude of retro TV sets flickering with static. The scene is a chaotic blend of futuristic tech and vintage aesthetics. Amidst the sea of TV sets, the Terminator robot finds itself in the company of Japanese agent provocateur model women, each one exuding an alluri
The sheets lay in disarray, twisted and rumpled from a night of restless slumber, a testament to the tumultuous dreams that had haunted the main character's sleep. Loose articles of clothing were strewn haphazardly across the bed, a chaotic tapestry of fabric and memories that spoke of a hurried undressing the night before.
In a kitchen that seems to have popped out of a peculiar Easter tale, a figure with a large, haunting rabbit mask engages in the seemingly mundane task of slicing tomatoes. The mask, stark white with garish red and black accents, contrasts with the character's mundane attire, creating a bizarre juxtaposition. She sports a vibrant red shirt and a practical grey apron, the attire of someone comfortable in the kitchen yet the expression is anything but comforting. The painted grin and wild eyes len
Going for a shower any one want to come
Make a 3D, real life version of a Dr. Seuss reality in Dr. Seuss' laboratory
Histoire(s) du cinéma est un film expérimental de Jean-Luc Godard, débuté en 1988 et achevé dix ans plus tard, en 1998. Il est divisé en huit chapitres.

© 2025 Stablecog, Inc.