Placeholder: The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page. The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

@generalpha

Prompt

The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

7 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.
the tennis player juggles his racket: colorful and humorous, quirky avant garde [in oger dean's style] futuristic, neo-dada
Sci-fi pulp fiction space babe
[Kupka] Donald Trump in a pink battlesuit pink gloves and pink high heel boots. The Ministry of Silly Walks.
In the heart of a nation awakening to the winds of change, amidst the smoky haze and neon glow of the groovy '60s, a poet named Dylan found himself caught in the throes of a cultural revolution. His words, like electric currents, surged through the veins of a generation hungry for freedom, truth, and liberation. But as the groovy '60s unfolded, so did the complexities of the revolution. The idealism clashed with reality, and the utopian dreams gave way to disillusionment. Dylan found himself gra
[Kupka] Jesus Christi in a pink battlesuit pink gloves and pink high heel boots. The Ministry of Silly Walks.
The year was 1967. One fateful evening, Jack found himself at an underground groovy club in the vibrant beat of the counterculture reverberated, Surrounded by the pulsating music and hypnotic lights, he felt the unmistakable surge of energy that united them all.
The jam is live in effect and I don't waste time On the mike with a dope rhyme Jump to the rhythm jump, jump to the rhythm jump And I'm here to combine Beats and lyrics to make your shake your pants Take a chance, come on and dance Guys grab a girl, don't wait, make her twirl It's your world and I'm just a squirrel Tryin' to get a nut to move your butt
[Kupka] Jesus Christi in a pink battlesuit pink gloves and pink high heel boots. The Ministry of Silly Walks.
Original cover art by Chris Ware for Images, the magazine supplement to the Daily Texan, published by the University of Texas at Austin, May 3, 1990.
Paul Lynde as Buck Rogers in outer space
In the heart of a nation awakening to the winds of change, amidst the smoky haze and neon glow of the groovy '60s, a poet named Dylan found himself caught in the throes of a cultural revolution. His words, like electric currents, surged through the veins of a generation hungry for freedom, truth, and liberation. But as the groovy '60s unfolded, so did the complexities of the revolution. The idealism clashed with reality, and the utopian dreams gave way to disillusionment. Dylan found himself gra

© 2024 Stablecog, Inc.