Placeholder: The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page. The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

@generalpha

Prompt

The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

9 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Sci-fi pulp fiction space babe
[art by Wes Anderson] she's eaten so many chillies she's on fire
Rosie the Riveter
the cover to Alice: The Walrus, And that was the colors of the saucer? No, her swimsuit. (1967) #47 by Stephen Bissette and John Totleben
[art by Hajime Sorayama] a female T600 robot, exuding sleek sophistication in Agent Provocateur, holds a beer in one hand and a rifle in the other. Surrounded by a mesmerizing display of retro TV sets emitting static, the scene pulsates with a unique blend of high-tech allure and vintage charm. As the bold Japanese writing flashes across the CRT 90s TV screen
Paul Gulacy, Black Widow Portfolio (SQ Productions, 1982)
youthful Debi Mazar Corcos [art by Frida Kahlo] Pinup Art-deco Recruiting WW2 Propaganda
“Alice from The Devil’s Bride” by Stephen Fabian, 1976.
[art by Alphonse Mucha] Pinup Art-deco Recruiting Propaganda
Barbarella in her iconic scenes
Barbarella in her iconic scenes
[art by Wes Anderson] she's eaten so many chillies she's on fire

© 2024 Stablecog, Inc.