Placeholder: The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page. The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

@generalpha

Prompt

The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

statue, doubles, twins, entangled fingers, Worst Quality, ugly, ugly face, watermarks, undetailed, unrealistic, double limbs, worst hands, worst body, Disfigured, double, twin, dialog, book, multiple fingers, deformed, deformity, ugliness, poorly drawn face, extra_limb, extra limbs, bad hands, wrong hands, poorly drawn hands, messy drawing, cropped head, bad anatomy, lowres, extra digit, fewer digit, worst quality, low quality, jpeg artifacts, watermark, missing fingers, cropped, poorly drawn

6 months ago

Generate Similar

Explore Similar

Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

Similar

Sci-fi pulp fiction space babe
Barbarella in her iconic scenes
the cover to Alice: The Walrus, And that was the colors of the saucer? No, her swimsuit. (1967) #47 by Stephen Bissette and John Totleben
Sci-fi pulp fiction space babe
[art by Wes Anderson] she's eaten so many chillies she's on fire
Rosie the Riveter
“Alice from The Devil’s Bride” by Stephen Fabian, 1976.
[Kupka] Jesus Christi in a pink battlesuit pink gloves and pink high heel boots. The Ministry of Silly Walks.
Paul Gulacy, Black Widow Portfolio (SQ Productions, 1982)
Barbarella in her iconic scenes
[art by Wes Anderson] she's eaten so many chillies she's on fire
The beginning of I'm So Glad is almost in Technicolor, as Vellekoop portrays the 1970s the way he seems to remember them: shaped by television (the title comes from The Carol Burnett Show, a significant influence on his childhood) and the fashion of the time. The colors are bright, and characters seem to leap off the page.

© 2024 Stablecog, Inc.