Placeholder: As a child, you would wait and watch from far away But you always knew that you'd be the one That work while they all play As a child, you would wait and watch from far away But you always knew that you'd be the one That work while they all play

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@generalpha

Prompt

As a child, you would wait and watch from far away But you always knew that you'd be the one That work while they all play

distorted image, malformed body, malformed fingers

1 month ago

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Model

SSD-1B

Guidance Scale

7

Dimensions

1024 × 1024

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Through the thick woods you stride, their splendor profound, Senses awash with grandeur, emotions tightly wound. Leaving home and loved ones, a painful farewell, But vengeance ignites within, a tale to tell. Determined you stand, seeking justice for your guide, Embarking on a journey where fate will decide. Thrills course through your veins, uncertainty in the air, A mix of emotions, a blend beyond compare.
OutsideFate
[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England]
Rest is now filled full of beauty, And can give thee up, I ween; Come thou forth, for other duty: Motion pineth for her queen. Or, if needing years to wake thee From thy slumbrous solitudes, Come, sleep-walking, and betake thee To the friendly, sleeping woods. Sweeter dreams are in the forest; Round thee storms would never rave; And when need of rest is sorest, Glide thou then into thy cave. Or, if still thou choosest rather Marble, be its spell on me; Let thy slumber round me gather, Let an
[very impressive high res masterpiece in Kodak Eastman 5247, bokeh scene by László Krasznahorkai] a landscape
it is not there
The road goes ever on and on, down from the door where it began
streetlight effect, It's dark everywhere except for one spot where there's a bright streetlight. The streetlight helps you see things clearly and find your friends easily in that small area.
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Oh-oh, here she comes (watch out) She'll only come out at night, ooh Oh-oh, here she comes (here she comes) She's a man-eater, ooh-ooh [Pan's Labyrinth (2006)]
Behind, the plates and pins bear witness like the trees of older groves. But you pay them no more mind than the motors' hums and grunts, eyes only for the vision in your thrall. And me, pressed flat against the mirrored wall with lens a-flutter - sure I'll leave an outlined ghost upon the fogged glass if I don't find release soon! Each calculated step brings your heat skating nearer, bare soles padding o'er rubber worn smooth by countless trials. The tile's your stage, this steam your shroud, an
[high res photo of a medieval scene in the shadows and the fog of a forest] Lilian follows at the prescribed distance, her footsteps light but purposeful. The cold doesn't seem to slow her as much as you might expect—whether from exhaustion overriding discomfort or some deeper fortitude remains unclear. She glances at you often, always ahead, though her posture never fully relaxes. Even when you walk steadily forward, she looks left and right, scanning the mountain's shadowed crevices with an in
You down spoke, man, you down spoke Feelin' everybody there's gone every dope Left foot in and right foot out Me said you know that's what it's all about, oh
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