Placeholder: [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Oh-oh, here she comes (watch out) She'll only come out at night, ooh Oh-oh, here she comes (here she comes) She's a man-eater, ooh-ooh [Pan's Labyrinth (2006)] [very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Oh-oh, here she comes (watch out) She'll only come out at night, ooh Oh-oh, here she comes (here she comes) She's a man-eater, ooh-ooh [Pan's Labyrinth (2006)]

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[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Oh-oh, here she comes (watch out) She'll only come out at night, ooh Oh-oh, here she comes (here she comes) She's a man-eater, ooh-ooh [Pan's Labyrinth (2006)]

distorted image, malformed body, malformed fingers

2 months ago

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SSD-1B

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7

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1248 × 832

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he lost voices echo in the wind, their cryptic words a haunting melody that beckons the unwary to listen and heed their warnings. "Feelin' everybody there's gone every dope," the shadows murmur, their enigmatic message hinting at a truth buried deep within the fabric of reality, waiting to be unveiled by those brave enough to decipher its meaning. From the darkness emerges a group of machines, their metallic forms glinting malevolently in the dim light, their red eyes gleaming with a cold, calcu
Through the thick woods you stride, their splendor profound, Senses awash with grandeur, emotions tightly wound. Leaving home and loved ones, a painful farewell, But vengeance ignites within, a tale to tell. Determined you stand, seeking justice for your guide, Embarking on a journey where fate will decide. Thrills course through your veins, uncertainty in the air, A mix of emotions, a blend beyond compare.
Wash away my troubles Wash away my pain With the rain in Shambala Wash away my sorrow Wash away my shame With the rain in Shambala Ah ooh yeah
Darkness fell as they entered the looming marshes. Mist curled around twisted trees like spectral fingers. Alex shivered, every cracked branch an impending threat. A piercing cry shattered the eerie quiet. They raced toward the sound, emerging in a small clearing. There, suspended above a foggy pool, hung Mikołaj - tiny fists beating futilely against thin air. Below, hulking Spas clawed his way from the water, face twisted in hunger. But Alex saw only her prey: the demon who tormented her mother
[very impressive high res masterpiece in Kodak Eastman 5247, scene by László Krasznahorkai] Oh-oh, here she comes (watch out) She'll only come out at night, ooh Oh-oh, here she comes (here she comes) She's a man-eater, ooh-ooh [Pan's Labyrinth (2006)]
Reflections at Journey's End The glade fades into memory as duty's summons draw me outward once again. Beneath emerald bowers I linger yet, senses drinking deep of forest's balms before steel shell enfolds this pilgrim soul. Fiona stands beside, eyes shining bright as any noon with care and solace rendering parting bittersweet. Her touch upon an alloy bough reminds of glades left greening in my soul's safe hold. "Duty calls you, yet the glade remains - as does its spirit guiding your true course
There ye stand bare as the forest, yet clad in every ounce of her wild glory. Hands propped on those lean flanks, chin tilted just so - and by the gods, have ye ever looked more every inch the Celtic queen? Each slow stride brings ye closer, bare feet whispering past pine boards as silent as mist. Your magic pulls me under like quicksand, click click, my camera's the only tether to mortal shores. And those eyes, greener than any glen I've ever wandered - they see straight through to my core, jud
Reflections at Journey's End The glade fades into memory as duty's summons draw me outward once again. Beneath emerald bowers I linger yet, senses drinking deep of forest's balms before steel shell enfolds this pilgrim soul. Fiona stands beside, eyes shining bright as any noon with care and solace rendering parting bittersweet. Her touch upon an alloy bough reminds of glades left greening in my soul's safe hold. "Duty calls you, yet the glade remains - as does its spirit guiding your true course
[high res photo of a medieval scene in the shadows and the fog of a forest] Lilian follows at the prescribed distance, her footsteps light but purposeful. The cold doesn't seem to slow her as much as you might expect—whether from exhaustion overriding discomfort or some deeper fortitude remains unclear. She glances at you often, always ahead, though her posture never fully relaxes. Even when you walk steadily forward, she looks left and right, scanning the mountain's shadowed crevices with an in
Behind, the plates and pins bear witness like the trees of older groves. But you pay them no more mind than the motors' hums and grunts, eyes only for the vision in your thrall. And me, pressed flat against the mirrored wall with lens a-flutter - sure I'll leave an outlined ghost upon the fogged glass if I don't find release soon! Each calculated step brings your heat skating nearer, bare soles padding o'er rubber worn smooth by countless trials. The tile's your stage, this steam your shroud, an
[Hunter Captures Elusive Fairy in Forest, May 18, 1889 - Sussex, England] In a remarkable event, local hunter Thomas Whitaker has captured a fairy in the dense woodlands of Sussex. Whitaker ensnared the elusive creature during a routine hunt. The fairy, described as having delicate wings and an ethereal glow, is currently being interrogated, hoping to uncover the location of other fairies believed to be responsible for the recent disappearance of local children.
[photo for Pan's Labyrinth (2006): in the swamp] In a fantasmagoric scene, amidst the swirling mists of a mystical realm, there emerges Serpent Lebe, the mythical ancestor of fertility. Serpent Lebe coils and undulates with an otherworldly grace, its scales shimmering with ethereal light. The air is thick with the scent of ancient magic, and the ground beneath trembles with the power of creation.
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