Placeholder: Hyperrealistic melting horror, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, Max Ernst Hyperrealistic melting horror, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, Max Ernst

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@Mabaaigen

Prompt

Hyperrealistic melting horror, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, Max Ernst

Poorly drawn, pixelated, compressed, low resolution, normal quality, low quality, bad anatomy, bad proportions, cloned face, duplicate, extra arms, extra limbs, extra legs, fused fingers, gross proportions, long neck, malformed limbs, extra legs, fused fingers, watermark, signature, username, jpeg artifacts, jpg artifacts.

8 months ago

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Model

SDXL

Guidance Scale

20

Dimensions

832 × 1248

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Hyperrealistic creepy landscape, odd, polaroid, Walton Ford, Max Ernst, 3d, sharp focus, noon light, bright colours, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, bas-relief
Yves Tanguy objects in an Yves Tanguy metaphysical space
Hyperrealistic melting horror, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, Max Ernst
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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
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