Placeholder: Hyperrealistic creepy landscape, odd, polaroid, Walton Ford, Max Ernst, 3d, sharp focus, noon light, bright colours, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, bas-relief Hyperrealistic creepy landscape, odd, polaroid, Walton Ford, Max Ernst, 3d, sharp focus, noon light, bright colours, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, bas-relief

@Mabaaigen

Prompt

Hyperrealistic creepy landscape, odd, polaroid, Walton Ford, Max Ernst, 3d, sharp focus, noon light, bright colours, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, bas-relief

Poorly drawn, pixelated, compressed, low resolution, normal quality, low quality, bad anatomy, bad proportions, cloned face, duplicate, extra arms, extra limbs, extra legs, fused fingers, gross proportions, long neck, malformed limbs, extra legs, fused fingers, watermark, signature, username, jpeg artifacts, jpg artifacts

10 months ago

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Model

SDXL

Guidance Scale

15

Dimensions

1024 × 1024

Similar

For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
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Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
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Hyperrealistic creepy landscape, odd, polaroid, Walton Ford, Max Ernst, 3d, sharp focus, noon light, bright colours, high resolution, very detailed, volumetric light, mist, grim, fine art, decaying, textured oil over canvas, very colorful, ornate, bas-relief
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For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled

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