![Placeholder: For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled](https://img.stablecog.com/insecure/64w/aHR0cHM6Ly9iLnN0YWJsZWNvZy5jb20vYTViYTZhZWQtMTlkMS00YWUyLTkwN2EtZTQwNmJkM2UzMzg5LmpwZWc.webp)
![For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled](https://img.stablecog.com/insecure/1920w/aHR0cHM6Ly9iLnN0YWJsZWNvZy5jb20vYTViYTZhZWQtMTlkMS00YWUyLTkwN2EtZTQwNmJkM2UzMzg5LmpwZWc.webp)
@Mabaaigen
Prompt
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
6 months ago
Model
FLUX.1
Guidance Scale
15
Dimensions
832 × 1248