Placeholder: Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions

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@Mabaaigen

Prompt

Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions

Light colors

1 year ago

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Model

SDXL

Guidance Scale

12

Dimensions

4096 × 4096

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Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Surreal essence of a dreamlike landscape, inspired by the poetic and emotionally rich style of Max Ernst, vivid colors, enigmatic forms, and an underlying sense of mystery that resonates with the viewer's emotions
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
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