Placeholder: A dot made of infinite dots, Max Ernst, strong texture, extreme detail, intricate, strong colours, bas-relief, high resolution, volumetric light, 8k, 3d, cinematic, rich moody colors, sparkles, octane render, 55mm photography, 8k, sharp focus, volumetric light, ZBrush A dot made of infinite dots, Max Ernst, strong texture, extreme detail, intricate, strong colours, bas-relief, high resolution, volumetric light, 8k, 3d, cinematic, rich moody colors, sparkles, octane render, 55mm photography, 8k, sharp focus, volumetric light, ZBrush

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@Mabaaigen

Prompt

A dot made of infinite dots, Max Ernst, strong texture, extreme detail, intricate, strong colours, bas-relief, high resolution, volumetric light, 8k, 3d, cinematic, rich moody colors, sparkles, octane render, 55mm photography, 8k, sharp focus, volumetric light, ZBrush

1 year ago

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Model

Openjourney

Guidance Scale

12

Dimensions

2048 × 2048

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realistic extremely detailed photo of odd beings 3d, mix of Max Ernst, Jean Delville, Ernst Haeckel, Edward Robert Hughes, Stanisław Szukalski, rich moody colors, sparkles, holographic krypton ion, blue eyes, octane render, 8k, f32, 55mm photography
Alienating nothingness and distressing anguish flowers Max Ernst
atoms self-organize to form a complex molecule detailed background by roger dean, max ernst
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Fuv xaaeuk vguibf vetuj in Max Ernst style
realistic extremely detailed photo of odd beings 3d, mix of Max Ernst, Jean Delville, Ernst Haeckel, Edward Robert Hughes, Stanisław Szukalski, rich moody colors, sparkles, holographic krypton ion, blue eyes, octane render, 8k, f32, 55mm photography
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants, and architecture.[4] The imagery on the surrealist canvas has been described as a primordial-like landscape, "in which rock-hard and gelatinous formations coexist under a forbidding sky."[1] The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled baroque palace.
atoms self-organize to form a complex molecule detailed background by roger dean, max ernst, masterpiece, rich moody colours.
atoms self-organize to form a complex molecule detailed background by roger dean, max ernst, masterpiece, rich moody colours.
emergence of consciousness swamp opens before the eyes Max Ernst
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
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