Placeholder: realistic extremely detailed photo of odd beings 3d, mix of Max Ernst, Jean Delville, Ernst Haeckel, Edward Robert Hughes, Stanisław Szukalski, rich moody colors, sparkles, holographic krypton ion, blue eyes, octane render, 8k, f32, 55mm photography realistic extremely detailed photo of odd beings 3d, mix of Max Ernst, Jean Delville, Ernst Haeckel, Edward Robert Hughes, Stanisław Szukalski, rich moody colors, sparkles, holographic krypton ion, blue eyes, octane render, 8k, f32, 55mm photography

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Prompt

realistic extremely detailed photo of odd beings 3d, mix of Max Ernst, Jean Delville, Ernst Haeckel, Edward Robert Hughes, Stanisław Szukalski, rich moody colors, sparkles, holographic krypton ion, blue eyes, octane render, 8k, f32, 55mm photography

3 years ago

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Model

Openjourney

Guidance Scale

12

Dimensions

2048 × 2048

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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Strange swamp with hideous beings arousing feelings of loathing and distressing horror decal Max Ernst
Connection between human being and underground realm Max Ernst
Connection between human being and underground realm Max Ernst
A dot made of infinite dots, Max Ernst, strong texture, extreme detail, intricate, strong colours, bas-relief, high resolution, volumetric light, 8k, 3d, cinematic, rich moody colors, sparkles, octane render, 55mm photography, 8k, sharp focus, volumetric light, ZBrush
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants, and architecture.[4] The imagery on the surrealist canvas has been described as a primordial-like landscape, "in which rock-hard and gelatinous formations coexist under a forbidding sky."[1] The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled baroque palace.
realistic extremely detailed photo of odd beings 3d, mix of Max Ernst, Jean Delville, Ernst Haeckel, Edward Robert Hughes, Stanisław Szukalski, rich moody colors, sparkles, holographic krypton ion, blue eyes, octane render, 8k, f32, 55mm photography
detailed peaceful landscape figure made of cake frosting, ice cream, dog teeth, Amano, Roger Dean, Max Ernst, strong texture Ernst Haekel, extreme detail, sunrise, nothingness and distressing anguish old wooden figure high contrast
atoms self-organize to form a complex molecule detailed background by roger dean, max ernst, masterpiece, rich moody colours.
atoms self-organize to form a complex molecule detailed background by roger dean, max ernst, masterpiece, rich moody colours.
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
emergence of consciousness swamp opens before the eyes Max Ernst
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