Placeholder: Apocalypse, sun and moon, Max Ernst style, sharp focus, 8k, 3d, very detailed, very colorful, ornate, grim, fine art, 35mm, F/2.8, insanely detailed and intricate Apocalypse, sun and moon, Max Ernst style, sharp focus, 8k, 3d, very detailed, very colorful, ornate, grim, fine art, 35mm, F/2.8, insanely detailed and intricate

@Mabaaigen

Prompt

Apocalypse, sun and moon, Max Ernst style, sharp focus, 8k, 3d, very detailed, very colorful, ornate, grim, fine art, 35mm, F/2.8, insanely detailed and intricate

poorly drawn, pixelated, compressed, low resolution, normal quality, low quality, bad anatomy, bad proportions, cloned face, duplicate, extra arms, extra limbs, extra legs, fused fingers, gross proportions, long neck, malformed limbs, extra legs, fused fingers, watermark, signature, username, jpeg artifacts, jpg artifacts

1 year ago

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Model

SSD-1B

Guidance Scale

4

Dimensions

4096 × 4096

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Apocalypse, sun and moon, Max Ernst style, sharp focus, 8k, 3d, very detailed, very colorful, ornate, grim, fine art, 35mm, F/2.8, insanely detailed and intricate
Apocalypse, sun and moon, Max Ernst style, sharp focus, 8k, 3d, very detailed, very colorful, ornate, grim, fine art, 35mm, F/2.8, insanely detailed and intricate
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
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Apocalypse, sun and moon, Max Ernst style, sharp focus, 8k, 3d, very detailed, very colorful, ornate, grim, fine art, 35mm, F/2.8, insanely detailed and intricate
High definition photography of a marvelous landscape, trees, flowers, sun, intricate, atmosphere of a Max Ernst painting, thoughtful, interesting, a bit appalling
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants, and architecture.[4] The imagery on the surrealist canvas has been described as a primordial-like landscape, "in which rock-hard and gelatinous formations coexist under a forbidding sky."[1] The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled baroque palace.
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For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled

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