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@Mabaaigen

Prompt

Metaphysical nothing everywhere De Chirico beach

Poorly drawn, pixelated, compressed, low resolution, normal quality, low quality, yellow, bad anatomy, bad proportions, cloned face, duplicate, extra arms, extra limbs, extra legs, fused fingers, gross proportions, long neck, malformed limbs, extra legs, fused fingers, watermark, signature, username, jpeg artifacts, jpg artifacts, yellow

8 months ago

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Model

SSD-1B

Guidance Scale

20

Dimensions

1024 × 1024

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Alienating nothingness and distressing anguish Max Ernst
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Metaphysical nothing everywhere De Chirico beach
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
For The Eye of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants.cThe imagery on the surrealist canvas has been described as a primordial-like landscape. The Eye of Silence has also been described as, "part vegetation, part rock and part bejewelled
Photograph Metaphysical nothing everywhere De Chirico beach
For The Eyes of Silence Max Ernst employed a technique called decalcomania to create arbitrary textures on the canvas, which he then reworked to resemble rock formations and forms of animals, plants. a primordial-like "part vegetation, part rock and part bejewelled
Pvitography, professional, alienating nothingness and distressing anguish Max Ernst
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